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書籍 書目41 - 50,共 91 頁;搜尋條件:Weber's formulation of the marginalizing vision of castration, then colonial mimicry...
" Weber's formulation of the marginalizing vision of castration, then colonial mimicry is the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite. "
Narratives of Nation Building in Korea: A Genealogy of Patriotism - 第 x 頁
Sheila Miyoshi Jager 著 - 2003
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The Difference Satire Makes: Rhetoric and Reading from Jonson to Byron

Fredric V. Bogel - 2001 - 262 頁
...imposed by the colonizer on the colonized expresses "the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite, " or—as Bhabha says later—"but not white." 24 Like a parodie text, the colonial mimic must allude...
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Deconstruction: A Reader

Martin McQuillan - 2001 - 579 頁
...marginalizing vision of castration then colonial mimicry is the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite. Which is to say, that the discourse of mimicry is constructed around an ambivalence;in order to be...
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Politics and Post-colonial Theory: African Inflections

D. Pal S. Ahluwalia, Pal Ahluwalia - 2001 - 164 頁
...ironic compromise', one which means that 'colonial mimicry is the desire for a reformed Other, as a subject of a difference that is almost the same, but not quite' (1994: 86). Mimicry for the colonised is about becoming like the coloniser whilst remaining different....
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Nobody's Nation: Reading Derek Walcott

Paul Breslin - 2009 - 340 頁
...Man: The Ambivalence of Colonial Discourse," that the colonial situation condemns the imitator to be "the subject of a difference that is almost the same, but not quite."11 This language parallels the Bloomian master poet's "'Be like me' and 'Do not presume to be...
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Racial Castration: Managing Masculinity in Asian America

David L. Eng - 2001 - 290 頁
...to defeat. Bhabha writes, "Colonial mimicry is the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite. Which is to say, that the discourse of mimicry is constructed around an ambivalence; in order to be...
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The Melancholy of Race: Psychoanalysis, Assimilation, and Hidden Grief

Anne Anlin Cheng - 2000 - 288 頁
...nonetheless doomed to fail: "Colonial mimicry is the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite." s By this account, the colonized finds him/herself in the position of melancholically echoing the master,...
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Heroines and History: Representations of Madeleine de Verchères and Laura Secord

Colin MacMillan Coates, Cecilia Louise Morgan - 2002 - 368 頁
...subaltern group that embodies colonial authority's 'desire for a reformed and recognizable Other ... [the] subject of a difference that is almost the same, but not quite. '2. Time and again, Ontario historians told their audiences that a great deal of credit for the integrity...
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Mixed Race Literature

Jonathan Brennan - 2002 - 234 頁
...terms like colonial "mimicry," Bhabha addresses "the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite" (Bhabha 86). In succinct terms, Bhabha presents the colonized as mimicking, or "acting up," his or...
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Critically Modern: Alternatives, Alterities, Anthropologies

Bruce M. Knauft - 2002 - 344 頁
...revealingly on what he calls colonial mimicry, "the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite." Almost white, but not quite. Almost civilized, almost democratic, almost . . . but not quite. Here,...
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Angles on Otherness in Post-Franco Spain: The Fiction of Cristina Fernández ...

Jessica A. Folkart - 2002 - 254 頁
...postcolonial theorization poses colonial mimicry as "the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite" (Bhabha 1994, 86). Thus, while mimicry applies to the colonized who repeats the image of the colonizer...
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