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書籍 書目71 - 80,共 83 頁;搜尋條件:Weber's formulation of the marginalizing vision of castration, then colonial mimicry...
" Weber's formulation of the marginalizing vision of castration, then colonial mimicry is the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite. "
Narratives of Nation Building in Korea: A Genealogy of Patriotism - 第 x 頁
Sheila Miyoshi Jager 著 - 2003
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Curriculum as Cultural Practice: Postcolonial Imaginations

Yatta Kanu - 2006 - 326 頁
...his voice. Colonial mimicry in this form is thus 'the desire for a reformed recognizable Other, as a subject of a difference that is almost the same but not quite' white (Bhabha, 1994, p. 86). Homi Bhabha has noted further, however, that within such spaces of instabilities...
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Rogues and Early Modern English Culture

Craig Dionne, Steve Mentz - 2010 - 424 頁
...admiration." 4. Murphy's concept of proximity draws on Bhabha's idea of mimicry in which the Other is "a subject of a difference that is almost the same, but not quite" (Bhabha 86). Bhabha's ideas on mimicry are especially significant here since the dynamics between the...
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Colonial Pathologies: American Tropical Medicine, Race, and Hygiene in the ...

Warwick Anderson - 2006 - 355 頁
...1 4. As Bhabha reminds us, "Colonial mimicry is the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same but not quite" ("Of Mimicry and Man," 126). For a complication of this argument, see McClintock, Imperial Leather,...
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Cannibal Fictions: American Explorations of Colonialism, Race, Gender, and ...

Jeff Berglund - 2006 - 256 頁
...endemic to colonialist discourse: Colonial mimicry is the desire for a reformed, recognizable other, as a subject of a difference that is almost the same, but not quite. Which is to say, that the discourse of mimicry is constructed around an ambivalence; in order to be...
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Full Metal Apache: Transactions Between Cyberpunk Japan and Avant-Pop America

Toyohiko Tatsumi, Takayuki Tatsumi - 2006 - 241 頁
...literary effects that "mimicry" becomes visible as "the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite" (Location of Culture, 85-86). It has long been assumed that although the colonized respond to colonial...
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Crosscurrents: Transatlantic Perspectives on Early Modern Hispanic Drama

Mindy Badía, Bonnie L. Gasior - 2006 - 175 頁
...comedia. Homi Bhabha has defined colonial mimicry as "the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite. Which is to say that the discourse of mimicry is constructed around an ambivalence; in order to be...
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Critical Theory and Performance

Janelle G. Reinelt, Joseph R. Roach - 2007 - 596 頁
...prevailing mode of (post)colonial relations, a sly, ambivalent repetition, a performance that produces "a subject of a difference that is almost the same, but not quite" or, less delicately, "almost the same, but not white." 5 To speak globally of the post colonial moment...
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Blerwytirhwng?: The Place of Welsh Pop Music

Sarah Hill - 2007 - 236 頁
...post-colonial theory of culture. ...[Cjolonial mimicry is the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite. Which is to say, that the discourse of mimicry is constructed around an ambivalence; in order to be...
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Ireland, India and Nationalism in Nineteenth-Century Literature

Julia M. Wright - 2007
...mimicry, according to Bhabha: colonial mimicry is the desire for a reformed, recognizable Other, as a. subject of a difference that is almost the same, but not quite.... Mimicry is, thus the sign of a double articulation; a complex strategy of reform, regulation and discipline,...
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Native American Song at the Frontiers of Early Modern Music

Olivia A. Bloechl - 2008 - 279 頁
...colonial strategies of "mimicry" that realize "the desire for a reformed, recognizable Other, as a subject of a difference that is almost the same, but not quite" (original emphasis).6 The ambivalence of colonial strategies of mimicry stems from their presentation...
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