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" The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM. "
Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions - 第 363 頁
Samuel Taylor Coleridge 著 - 1834 - 351 頁
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How Poets See the World: The Art of Description in Contemporary Poetry

Willard Spiegelman - 2005 - 256 頁
...that god in his famous definition in Biographia Literaria of the primary imagination (as a repetition of "the eternal act of creation in the infinite I Am.") The human representation inspires a deepening self-consciousness in the viewer, which in turn deepens his...
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Poe, Fuller, and the Mesmeric Arts: Transition States in the American ...

Bruce Mills - 2005 - 202 頁
...imagination and fancy, asserted in Biographia Literaria. For Coleridge, the primary imagination is the "living Power and prime Agent of all human Perception, and as 5. For Foe's ideas on "Combination" and "Novelty," see "Thomas Hood," in Essays and Reviews, 278; for...
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Contemporary Doctrine Classics: The Combined Reports

2005 - 518 頁
...that great theorist of the Romantic Movement, Samuel Taylor Coleridge, declaring the imagination to be 'a repetition in the finite mind of the eternal act of creation'. What had happened is that religion (and indeed society in general) had lost its trust in the power...
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Shakespeare and the Ideal of Love

Jill Line - 2006 - 196 頁
...Platonist and a Shakespearean critic, wrote these definitions of the imagination of God and man, and fancy: The IMAGINATION then I consider either as primary...act of creation in the infinite I AM. The secondary I consider as an echo of the former, co-existing with the conscious will, yet still as identical with...
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Romanticism: Romanticism, belief, and philosophy

Michael O'Neill, Mark Sandy - 2006 - 362 頁
...view, under the name 'imagination', of the mind as made in 'God's Image', the 'Image of the Creator': The IMAGINATION then I consider either as primary,...act of creation in the infinite I AM. The secondary I consider as an echo of the former, co-existing with the conscious will, yet still as identical with...
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Wisdom for the Soul: Five Millennia of Prescriptions for Spiritual Healing

Larry Chang - 2006 - 826 頁
...now proved was once, only imagin'd. -William Blake, 1757-1827The Marriage of Heaven and Hell, 1793 The primary imagination I hold to be the living power...creation in the infinite I AM. The secondary imagination ... dissolves, diffuses, dissipates, in order to recreate; or where this process is rendered impossible,...
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The Book of God: Secularization and Design in the Romantic Era

Colin Jager - 2007 - 304 頁
...figure we can name the "romantic Coleridge," author of these famous lines from the Biogmphia Literaria: The IMAGINATION then I consider either as primary,...as a repetition in the finite mind of the eternal act of creadon in the infinite I AM. The secondary I consider as an echo of the former, co-existing...
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Mystical Discourse in Wordsworth and Whitman: A Transatlantic Bridge

D. J. Moores - 2006 - 260 頁
...almost daily contact with Coleridge. In Biographia Literaria Coleridge defines primary imagination 'to be the living power and prime agent of all human...the eternal act of creation in the infinite I am'. 75 Clearly, such theories of the imagination are echoed repeatedly in Wordsworth's mystical verse....
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Transforming Holiness: Representations of Holiness in English and American ...

Irene Visser, Helen Wilcox - 2006 - 258 頁
...Gospel. The great definition of the Primary Imagination in Chapter 13 of the Biographia Literaria (1817) as a 'repetition in the finite mind of the eternal act of creation in the infinite I AM' refers back not only to the great theophany of the Burning Bush and the divine words in Exodus 3:14,...
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The Sublime

Philip Shaw - 2006 - 192 頁
...imagination. His concept of the imagination as 'the living Power and prime Agent of all human perception ... a repetition in the finite mind of the eternal act of creation in the infinite I AM' (1997a: 175) is an attempt to yoke the human and the divine, so that higher ideas are not so much represented...
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