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" The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM. "
Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions - 第 363 頁
Samuel Taylor Coleridge 著 - 1834 - 351 頁
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Anglia: Zeitschrift für englische Philologie

1916 - 536 頁
...to its principle and fountain, who is alone truly one" (Essays and Lect., p. 39). "The imagination I consider either as primary, or secondary. The primary...finite mind of the eternal act of creation in the infinite l am. The secondary I consider as an echo of the former, co-existing with the conscious will,...
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Preliminary Announcement: List of Members, Oct. 1919, 第 1-10 期

Society for Pure English - 1919 - 716 頁
...what he calls the primary imagination, which is itself an analogue of creation, and its activity ' a repetition in the finite mind of the eternal act of creation in the infinite I AM'.* In other writers of this period, in Wordsworth and Keats and Shelley and Hazlitt, we find an almost...
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A Study of Poetry

Bliss Perry - 1920 - 416 頁
...John's "It doth not yet appear what we shall be." "The primary imagination," asserted Coleridge, "is a repetition in the finite mind of the eternal act of creation in the infinite / am." l Here, evidently, unless the "God-intoxicated" Coleridge is talking nonsense, we are...
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Calcutta Review

1921 - 362 頁
...express which precisely he had to invent a new term, esemplastic. Coleridge held the primary imagination to be " the living power and prime agent of all human...of the eternal act of creation in the infinite I AM " (BL 1. 202). Sarah Coleridge staled (BL 1847 Edn, 1.297) that in his copy of the book her father...
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Humanistic Studies: Hengest: a study in early English hero legend. Le Liure ...

University of Iowa - 1921 - 876 頁
...power to create.80 He was familiar with Coleridge's assumption that the imagination in man was "the repetition in the finite mind of the eternal act of creation in the nlbid., p. 18. ™Poe may have encountered this idea of mutuality of adaptation in Kant's Criticism...
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The Realistic Revolt in Modern Poetry

Arthur Melville Clark - 1922 - 102 頁
...the universe, though he may not express it in terms of the universe. His is the esemplastic power, " the living power and prime agent of all human perception,...eternal act of creation in the infinite I AM." The ultimate office of the artist is by an apt symbol to bring the eternal and infinite into the limits...
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The Poetic Mind

Frederick Clarke Prescott - 1922 - 348 頁
...his own brain both the verse and matter of his poem." * The poet's work, according to Coleridge, is " a repetition in the finite mind of the eternal act of creation in the infinite I am." 2 If this is to be taken literally then there is actual relation between poetical and divine creation,...
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The Poetic Mind

Frederick Clarke Prescott - 1922 - 350 頁
...his own brain both the verse and matter of his poem." l The poet's work, according to Coleridge, is "a repetition in the finite mind of the eternal act of creation in the infinite / am." * If this is to be taken literally then there is actual relation between poetical and...
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S.P.E. Tract, 第 1-25 期

1924 - 502 頁
...what he calls the primary imagination, which is itself an analogue of creation, and its activity ' a repetition in the finite mind of the eternal act of creation in the infinite I AM'.2 In other writers of this period, in Wordsworth and Keats 1 Histoire du Romantisme, p. 65. and...
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Words and Idioms: Studies in the English Language

Logan Pearsall Smith - 1925 - 320 頁
...what he calls the primary imagination, which is itself an analogue of creation, and its activity " a repetition in the finite mind of the eternal act of creation in the infinite I AM." 2 In other writers of this period, in Wordsworth and Keats and Shelley and Hazlitt, we find an almost...
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