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" The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM. "
Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions - 第 363 頁
Samuel Taylor Coleridge 著 - 1834 - 351 頁
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Im Spannungsfeld der Moderne: Theatertheorien zwischen Sprachkrise und ...

Elisabeth Nehring - 2004 - 266 頁
...living power and prime <7' Ebd. r4 AoT.S. 86 agent of all human perception, and äs a repition in the finite mind of the eternal act of creation in the infinite I AM."rs Die sekundäre Imagination übertrifft die primäre vor allem im Grade ihrer Ausprägung: sie...
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Creativity, Communication and Cultural Value

Keith Negus, Michael J Pickering - 2004 - 192 頁
...gradually secularising transition of creation from God to Man, producing, in Coleridge's conception, 'a repetition in the finite mind of the eternal act of creation' (Coleridge, 1910: 159). In this sense, artistic creativity was an intense reaction to the modern disenchantment...
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Creative Writing and the New Humanities

Paul Dawson - 2005 - 268 頁
...modifying power' (160). This helps us to understand Coleridge's notorious definition of imagination: The imagination then I consider either as primary,...act of creation in the infinite I AM. The secondary I consider as an echo of the former, co-existing with the conscious will, yet still as identical with...
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Theological Aesthetics: A Reader

Gesa Elsbeth Thiessen - 2005 - 424 頁
...nature of perception had considerable influence on nineteenth-century literary and religious thought. The imagination then I consider either as primary,...act of creation in the infinite I AM. The secondary I consider as an echo of the former, co-existing with the conscious will, yet still as identical with...
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Sanity, Madness, Transformation: The Psyche in Romanticism

Ross Greig Woodman - 2005 - 297 頁
...itself objectively to itself is the work of what he calls the 'primary IMAGINATION,' which he defines as 'the living Power and prime Agent of all human Perception,...the eternal act of creation in the infinite I AM' (BL 1:304). It is the act of perception itself viewed as a creative act, which repeats as a human (or...
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The Genius of Erasmus Darwin

Christopher Upham Murray Smith, Robert Arnott - 2005 - 452 頁
...Historisches Wdrterhuch der Philosophic, 1971, vol. 4, p. 219. In Coleridge's opinion, primary imagination is the 'living power and prime agent of all human perception,...the eternal act of creation in the infinite I am'; Coleridge, Biographia Literaria, 1817, vol. 1, pp. 295-6. Coleridge was substantially a Kantian or...
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Understanding the Lord of the Rings: The Best of Tolkien Criticism

Rose A. Zimbardo, Neil D. Isaacs - 2004 - 308 頁
...Imagination is to be seen as an "echo" of the Primary Imagination, which Coleridge had regarded as "the living Power and prime Agent of all human Perception,...the eternal act of creation in the infinite I AM" (Biographia Literaria, chap. 13). The fairy story, the making of a Secondary World,18 is a construct...
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The Routledge Dictionary of Literary Terms

Peter Childs, Professor Peter Childs, Roger Fowler - 2006 - 280 頁
...imagination', which leads to the Coleridgean 'primary imagination' where sensibility, human perception, is 'a repetition in the finite mind of the eternal act of creation in the infinite I AM'. Shaftesbury's 'sensibility' was a little more modest than that, but it had an all-important moral side....
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Victorian Fantasy

Stephen Prickett - 2005 - 308 頁
...was elevated onto a pedestal: it was the supreme gift of the poet, the creative power of the artist, "a repetition in the finite mind of the eternal act of creation in the infinite I AM"14— in short, a reflection in man of the divine and life giving spirit of God the Creator. Fantasy,...
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Creativity: Theory, History, Practice

Rob Pope - 2005 - 328 頁
...Taylor Coleridge's definition of the 'primary imagination' as 'the repetition in the finite [human] mind of the eternal act of creation in the infinite I AM' (Biographia Literaria, Ch. 13) and Charles Baudelaire's celebration of the poetic imagination as 'the...
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