 | Logan Pearsall Smith - 1925 - 324 頁
...what he calls the primary imagination, which is itself an analogue of creation, and its activity " a repetition in the finite mind of the eternal act of creation in the infinite I AM." 2 In other writers of this period, in Wordsworth and Keats and Shelley and Hazlitt, we find an almost... | |
 | 1926 - 508 頁
...between the productive and the non-productive Imagination. " The primary Imagination," says Coleridge, " I hold to be the living power and prime agent of all...act of creation in the infinite I AM. The secondary I consider as an echo of the former. ... It dissolves, diffuses, dissipates, in order to recreate;... | |
 | Joseph Alexander Leighton - 1926 - 612 頁
...life. It discovers and gives body to the Ideas or archetypal forms of Nature and Human Life in Society. "Primary Imagination I hold to be the living power...the eternal act of creation in the infinite I am." 8 Coleridge is the intellectual father, along with Frederick Denison Maurice, of the Broad Church School... | |
 | Hugh I'Anson Fausset - 1926 - 372 頁
...between Imagination and Fancy as between an originating and a merely organizing faculty. Imagination was 'the living power and prime agent of all human perception,...the eternal act of creation in the infinite I AM.' It was an exceptionally vital, individual force which, working on multitudinous experience, passively... | |
 | Thomas Stearns Eliot - 1927 - 410 頁
...Others have reached it in quite different ways. Coleridge's critical theory may be judged by its fruits. power and prime agent of all human perception, and...finite mind of the eternal act of creation in the infinite / AM. The secondary Imagination I consider as an echo of the former . . .' ' Essence, in its... | |
 | John Van Horne - 1927 - 710 頁
...characterization of the power as 'reason in her most exalted mood,' and Coleridge's definition of the faculty as a 'repetition in the finite mind of the eternal act of creation in the infinite I AM'; and he knows how easy it is to multiply instances from English writers alone, — from Shelley and... | |
 | 1927 - 612 頁
...characterization of the power as "e'uson in her most exalted mood,' and Coleridge's definition of the faculty as a 'repetition in the finite mind of the eternal act of creation in the infinite i AM'; and he knows how easy it is to multiply instances from English writers alone, — from Shelley and... | |
 | 1927 - 608 頁
...characterization of the power as 'reason in her most exalted mood,' and Coleridge's definition of the faculty as a 'repetition in the finite mind of the eternal act of creation in the infinite I AM'; and he knows how easy it is to multiply instances from English writers alone, — from Shelley and... | |
 | James D. Hester, David Hester - 2004 - 266 頁
...1817: "The primary Imagination [is] the living Power and prime Agent of all human Perception, and [is] a repetition in the finite mind of the eternal act of creation in the infinite I AM." (Jaspers, "Living Powers," 217). As the "central point" of his argument Jasper then maintains that... | |
 | Steven P. Sondrup, Virgil Nemoianu, Gerald Gillespie - 2004 - 500 頁
...Schelling. As in Schelling's System of Transcendental Idealism (cf. 1.4), Coleridge considered imagination "a repetition in the finite mind of the eternal act of creation in the infinite I AM" (7.1: 304); significantly, Coleridge substitutes his infinite "I AM" for Schelling's "Absolute" because... | |
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The primary imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM. 
