Biographia Literaria, 第 1 卷Clarendon Press, 1907 - 334 頁 These two volumes are a reprint of the edition of 1817 with additional material to clarify the text. It includes Coleridge's aesthetical writings; notes on the text; and an introductory essay about his theory of imagination. |
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第 xv 頁
... universal guide . This attitude of distrust was fostered by the writings of the Mystics , who gave him 1 Letters , i . 162. Yet it was many years before Coleridge em- braced any definite form of doctrine . See Biog . Lit. i . 136 , 1 ...
... universal guide . This attitude of distrust was fostered by the writings of the Mystics , who gave him 1 Letters , i . 162. Yet it was many years before Coleridge em- braced any definite form of doctrine . See Biog . Lit. i . 136 , 1 ...
第 xliii 頁
... imagination is based on his con- ception of this universal function : for , according to him , it is the recognition of the harmony of the faculties of know- ledge in view of any particular object that constitutes our Introduction xliii.
... imagination is based on his con- ception of this universal function : for , according to him , it is the recognition of the harmony of the faculties of know- ledge in view of any particular object that constitutes our Introduction xliii.
第 lvii 頁
... universal self ) , the fitness of the external world to be the vehicle of such expression pointed to its participation in a common reality with the self which it reflected . But the fact that the imagination is a restricted gift ...
... universal self ) , the fitness of the external world to be the vehicle of such expression pointed to its participation in a common reality with the self which it reflected . But the fact that the imagination is a restricted gift ...
第 lviii 頁
... universal factor in knowledge ) , presented Coleridge with fresh matter for reflection . Here , too , it was impossible for him to stop short with Kant . That insight into reality which charac- terized the imagination in its highest ...
... universal factor in knowledge ) , presented Coleridge with fresh matter for reflection . Here , too , it was impossible for him to stop short with Kant . That insight into reality which charac- terized the imagination in its highest ...
第 lix 頁
Samuel Taylor Coleridge John Shawcross. adhere to it in its universal use . The fact that the poet , in impressing his conscious self upon the world of objects , seemed to penetrate to the core of their being , might at least suggest the ...
Samuel Taylor Coleridge John Shawcross. adhere to it in its universal use . The fact that the poet , in impressing his conscious self upon the world of objects , seemed to penetrate to the core of their being , might at least suggest the ...
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absolute appear association become Biog Biographia Literaria cause chapter Coleridge's commencement common conception consciousness Crabb Robinson criticism deduced Descartes distinction divine doctrine edition effect equally Essay existence expression fact faculty fancy feelings genius German ground Hartley Hartley's heart human idea images imagination impressions infinite instance intellect intelligence intuition Jacobinism judgement Kant Kant's knowledge Kuno Fischer language least lectures less Letters lines literary Lyrical Ballads meaning mechanical philosophy ment metaphysical mind moral Morning Post natural philosophy nature never notions object original passage phænomena philo philosopher Plato Plotinus poems poet poetic poetry preface present principles published reader reason S. T. Coleridge Sara Coleridge Schelling Schelling's SCHOLIUM self-consciousness sensation sense sonnets soul Southey Southey's speculations Spinoza spirit symbol Synesius theory things thought tion transcendental Transcendental Idealism true truth understanding volume whole words Wordsworth writings καὶ τὸ
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第 215 頁 - Or man, or woman. Yet I argue not Against Heaven's hand or will, nor bate a jot Of heart or hope, but still bear up and steer Right onward.
第 lxvii 頁 - The primary Imagination I hold to be the living power and prime agent of all human perception, and as a repetition in the finite mind of the eternal act of creation in the infinite I AM...
第 xl 頁 - Risest from forth thy silent sea of pines How silently ! Around thee and above Deep is the air, and dark, substantial, black, An ebon mass: methinks thou piercest it, As with a wedge! but when I look again, It is thine own calm home, thy crystal shrine, Thy habitation from eternity! 0 dread and silent mount! I gazed upon thee, Till thou, still present to the bodily sense, Didst vanish from my thought: entranced in prayer 1 worshipped the Invisible alone.
第 xxxvii 頁 - But now afflictions bow me down to earth: Nor care I that they rob me of my mirth; But oh! each visitation Suspends what nature gave me at my birth, My shaping spirit of Imagination.
第 202 頁 - I consider as an echo of the former, co-existing with the conscious will, yet still as identical with the primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create: or where this process is rendered impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead.
第 xxxvii 頁 - I been gazing on the western sky, And its peculiar tint of yellow green: And still I gaze — and with how blank an eye! And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel, how beautiful they are!
第 4 頁 - I learned from him, that poetry, even that of the loftiest and, seemingly, that of the wildest odes, had a logic of its own, as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more, and more fugitive causes.
第 12 頁 - Fair laughs the morn, and soft the zephyr blows, While proudly riding o'er the azure realm In gallant trim the gilded vessel goes; Youth on the prow, and Pleasure at the helm; Regardless of the sweeping whirlwind's sway, That, hush'd in grim repose, expects his evening prey.
第 xxxvii 頁 - My shaping spirit of Imagination. For not to think of what I needs must feel, But to be still and patient, all I can; And haply by abstruse research to steal From my own nature all the natural man — This was my sole resource, my only plan: Till that which suits a part infects the whole, And now is almost grown the habit of my soul.
第 125 頁 - Who, too deep for his hearers, still went on refining, And thought of convincing, while they thought of dining...