Leonardo Da Vinci: Artist, Thinker and Man of Science, 第 2 卷W. Heinemann, 1898 |
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第 64 頁
... colour- grinder ; he only gave way to his taste for occult practices and mystification in general at a later period of his life . Devoted to alchemy , astrology , chiromancy , physiognomy , and a hundred similar pursuits , he had ...
... colour- grinder ; he only gave way to his taste for occult practices and mystification in general at a later period of his life . Devoted to alchemy , astrology , chiromancy , physiognomy , and a hundred similar pursuits , he had ...
第 75 頁
... colours , showing , for instance , that red gained in intensity when placed in juxtaposition with green . As for heat , how clearly he defines its effect upon liquids when they hold foreign bodies in suspension ! " If , " he says ...
... colours , showing , for instance , that red gained in intensity when placed in juxtaposition with green . As for heat , how clearly he defines its effect upon liquids when they hold foreign bodies in suspension ! " If , " he says ...
第 77 頁
... colours , so indissolubly connected with the name of Chevreul , 2 is to be found , in germ , in the Trattato della Pittura ( cap . 190 ) : " If you wish that the neighbourhood of one colour should lend charm to the colour near it ...
... colours , so indissolubly connected with the name of Chevreul , 2 is to be found , in germ , in the Trattato della Pittura ( cap . 190 ) : " If you wish that the neighbourhood of one colour should lend charm to the colour near it ...
第 78 頁
... colour , green , this secondary colour will reach its maximum of intensity when we bring it into the immediate neighbourhood of.its complementary , which is red . So , too , if we combine yellow and red to form orange , this secondary ...
... colour , green , this secondary colour will reach its maximum of intensity when we bring it into the immediate neighbourhood of.its complementary , which is red . So , too , if we combine yellow and red to form orange , this secondary ...
第 79 頁
... colours , for one corresponds to the absence of colour , and the other is the genesis of colour ( cap . 213 ; cf. cap . 247 ) . " 1 Elsewhere ( cap . 254 ) he counts among the simple colours white , black , ( including these two , as he ...
... colours , for one corresponds to the absence of colour , and the other is the genesis of colour ( cap . 213 ; cf. cap . 247 ) . " 1 Elsewhere ( cap . 254 ) he counts among the simple colours white , black , ( including these two , as he ...
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