 | Otfried Schütz - 1993 - 512 頁
...Virtue, London 1725, S. 39 "His gardens next your admiration call, On every side you look, behold the wall! No pleasing intricacies intervene No artful...brother, And half the platform just reflects the other. The suffering eye inverted nature sees, Trees cut to statues, statues thick äs trees."1 Burke stellt... | |
 | Matt Cartmill - 1996 - 352 頁
...his Moral Essays in 1731: His gardens next your admiration call, On ev'ry side you look, behold the wall! No pleasing intricacies intervene, No artful...a brother, And half the platform just reflects the other.9 In the early eighteenth century, the British aristocracy began to share the preference of Pope... | |
 | Elisabeth B. MacDougall - 1994 - 400 頁
...the eighteenth century and which is typified by this poem by Pope: On ev'ry side you look, behold the Wall: No pleasing intricacies intervene, No artful...brother, And half the platform just reflects the other. The suff 'ring eye inverted Nature sees, Trees cut to Statues, Statues thick as trees." Yet it is possible... | |
 | Jacques Carré - 1994 - 232 頁
...! No pleasing intricacies intervene, No artful wildness to perplex the scene; Groves nod at groves, each Alley has a Brother, And half the Platform just reflects the other. Bad taste results from having taken what he calls the 'high priori' road (a pun on the axiomatic method... | |
 | C. A. Patrides - 1995 - 420 頁
...dreadful, yet how dear is this place!1 Note Adapted from Pope's 'Epistle to Burlington', 11. 117-18: 'Grove nods at grove, each Alley has a brother, / And half the platform just reflects the other' . The allusion was identified by Mr Anthony W. Shipps. 51 . ROBERT ARIS WILLMOTT, FROM HIS INTRODUCTION... | |
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Grove nods at grove, each alley has a brother, And half the platform just reflects the other. 
