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" Grove nods at grove, each alley has a brother, And half the platform just reflects the other. "
The Gentleman's Magazine - 第 512 頁
1815
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Select Works of the British Poets: In a Chronological Series from Ben Jonson ...

John Aikin - 1841 - 807 頁
...keenness of the northern wind His gardens next your admiration call. On every side you look, behold the o the next reflect» the other. The suffering oye inverted Nature sees, Trees cut to statues, statues thick as...
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Select Works of the British Poets, in a Chronological Series from Ben Jonson ...

John Aikin - 1843 - 807 頁
...keenness of the northern wind His gardens next your admiration call, On every side you look, behold the ssing (he other. The suffering eye inverted Nature sees, Trees cut to statues, statues thick as trees ; With...
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Arts, Antiquities, and Chronology of Ancient Egypt: From Observations in 1839

George Henry Wathen - 1843 - 272 頁
...remarkably displayed in the plan of a large square garden given in Professor Rosellini's great work. Here " Grove nods at grove, each alley has a brother, And half the platform just reflects the other." * The modern Egyptians use a close lattice for the same purpose. This royal garden must have formed...
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Select Works of the British Poets, in a Chronological Series from Ben Jonson ...

John Aikin - 1843 - 807 頁
...look, behold the wall ! No pleasing intricacies intervene, No artful wildness to perplex the scene j r herds and flocks to feed : Blest sons of Nature they ! true golden age indeed ! Sometimes t The Buffering eye inverted Nature sees, Trees cut to statues, statues thick as trees ; With here a...
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THE GARDENER'S MAGAZINE

J.C. LOUDON, F.L.S. H.S. & C - 1843
...paraphrased, is one of the best rules we have in the grouping system, viz. : — " Group nods at group, each alley has a brother, And half the platform just reflects the other." Again, in point of height, the two beds above-mentioned are planted with plants that will not exceed...
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The Gardener's Magazine and Register of Rural and Domestic Improvement, 第 19 卷

John Claudius Loudon - 1843
...paraphrased, is one of the best rules we have in the grouping system, viz. : — " Group nods at group, each alley has a brother, And half the platform just reflects the other." Again, in point of height, the two beds above-mentioned are planted with plants that will not exceed...
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Alexander Pope

Yasmine Gooneratne - 1976 - 149 頁
...taste that takes classical regularity to the point of tedium No pleasing Intricacies intervene, 1 15 No artful wildness to perplex the scene; Grove nods...brother. And half the platform just reflects the other. The balanced rhythm of the couplet form adds emphasis here to the impression of weary monotony Pope...
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The Converse of the Pen: Acts of Intimacy in the Eighteenth-century Familiar ...

Bruce Redford - 1986 - 252 頁
...this critique aligns itself with Pope's description of Timon's Villa in the Epistle to Burlington: No pleasing Intricacies intervene, No artful wildness...brother, And half the platform just reflects the other. (11. 115-18) Gray had visited both Oatlands and Hampton, as he tells Wharton, with the Dowager Viscountess...
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The Poetics of Gardens

Charles W. Moore, William J. Mitchell, William Turnbull - 1993 - 257 頁
...iambic pentameter rhymed couplets, of course): No pleasing intricacies intervene, No artful wilderness to perplex the scene: Grove nods at grove, each alley...brother, And half the platform just reflects the other. Pope insinuates that symmetrical gardens follow mindless formal rules, with predictably dull results....
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Doing Things with Texts: Essays in Criticism and Critical Theory

Meyer Howard Abrams - 1989 - 429 頁
...you begin an intricately ordered pattern, it seeks closure by reproducing mirror images of itself : Grove nods at grove, each alley has a brother; And half the platform just reflects the other. The danger is that when the total gridwork is completed, not only have you a place for everything but...
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