| Marianne Baillie - 1825 - 520 頁
...brought those lines of Pope to my remembrance, wherein he speaks of that peculiar mode of planting. — " Grove nods at grove, each alley has a brother, And half the platform just reflects the other." While I wondered at this coincidence of taste, among the grandees of Portugal, (for almost all the... | |
| John Aikin - 1826 - 840 頁
...keenness of the northern wind. His gardens next your admiration call, On every side you look, behold the The suffer! ng eye inverted Nature sees. Trees cut to statues, statues thick as trees ; With here a... | |
| Alexander Pope - 1826 - 396 頁
...call, Un every Bid« you look, behold the wall ! No pleasing intricacies intervene, No artful wildneas und. Lo The suffering eye inverted nature sees, Trees cut to statues, statues thick as trees ; 120 With here... | |
| Thomas Curtis (of Grove house sch, Islington) - 426 頁
...observations and proofs, will discern how these propositions flow from them. Woodward. No artful wildpess to perplex the scene : Grove nods at grove, each alley...brother, And half the platform just reflects the other. Pope. PLATFORM, in the military art, is an elevation of earth, on which cannon are placed to fire on... | |
| Alexander Pope - 1830 - 500 頁
...keenness of the northern wind. His gardens neit your admiration call, On every side you look, behold the S The Buffering eye inverted nature sees, Trees cut to statues, statues thick as tree* ; 130 With here... | |
| John Galt - 1831 - 336 頁
...poet — No pleasing intricacies intervene, No artful wildness to perplex the scene ; Grove nods to grove, each alley has a brother, And half the platform just reflects the other — for Thomson's forte was not dramatic ; even his elegant power of allusion, which renders " The... | |
| John Galt - 1831 - 332 頁
...poet — No pleasing intricacies intervene, No artful wildness to perplex the scene; Grove nods to grove, each alley has a brother, And half the platform just reflects the other — for Thomson's forte was not dramatic ; even his elegant power of allusion, which renders " The... | |
| James Hall - 1833 - 298 頁
...alike as a body of soldiers in regimentals ; reminding one of Pope's description of a garden, where, " No pleasing intricacies intervene, No artful wildness...brother, And half the platform just reflects the other." This neighborhood being secluded, and distant from the sea-board, fashions, coming with a tardy step... | |
| 1833 - 468 頁
...those endless and tiresome walks that stretched out of one into another without intermission, where Grove nods at grove, each alley has a brother. And half the pasture reflects the other. We fear that the scenery of Kensington is but inadequately appreciated... | |
| Alexander Pope - 1835 - 378 頁
...admiration call ; On every side you look, behold the wall ! No pleasing intricacies intervene, 115 No artful wildness to perplex the scene ; Grove nods...brother, And half the platform just reflects the other. The suffering eye inverted nature sees ; Trees cut to statues, statues thick as trees ; 120 With here... | |
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