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" Grove nods at grove, each alley has a brother, And half the platform just reflects the other. "
The Gentleman's Magazine - 第 512 頁
1815
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The Eloquence of the British Senate: Being a Selection of the Best ..., 第 2 卷

William Hazlitt - 1809
...clenches in style. They too much resemble a garden laid out according to Pope's description, " Where each alley has a brother, And half the platform just reflects the other.'' On moving an Address to the Throne, containing a Declaration of Rights. IN his speech on this occasion,...
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The Works of the English Poets, from Chaucer to Cowper: Including ..., 第 12 卷

Samuel Johnson - 1810 - 526 頁
...you look, bahold the wall ! No pleasing intricacies intervene, No artful wildncss to p<Tplex > h«- scene ; Grove nods at grove, each alley has a brother, And half the platform just reflects the other. The sufl'eritig eye inverted Nature SKCS, Trees out to statues, statues thick as trees ; 1 20 With...
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The Dramatic Works of Ben Jonson, and Beaumont and Fletcher, 第 2 卷

Ben Jonson, John Fletcher, Francis Beaumont - 1811
...Faithful Shepherdess? More uniform they are, we allow, like the gardens which Mr. Pope describes, where * Grove nods at grove, each alley has a brother, ' And half the platform just reflects the other. But is this a true or a false taste? We certainly borrowed it from the French in. the Gallic (not Augustine)...
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The Works of William Mason, M.A. Precentor of York, and Rector of Aston ...

William Mason - 1811
...readers, I suppose, need be informed, that this line alludes to the following couplet : Grove nods to grove, each alley has a brother, And half the platform just reflects the other. NoteX. Verse 511. The pencil's power : but, fir' d by higher forms It is said that Mr. Kent frequently...
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Odes. Elegies. Sonnets. Epitaphs and inscriptions. Miscellanies. The English ...

William Mason - 1811
...readers, I suppose, need be informed, that this line alludes to the following couplet : Grove nods to grove, each alley has a brother, And half the platform just reflects the other. Note X. Verse 511. Tlie pencil's power : but, fir' d by higher forms It is said that Mr. Kent frequently...
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Life of Francis Beaumont. Life of John Fletcher. Prefaces. Commendatory ...

Francis Beaumont, John Fletcher - 1811
...uniform they are, we allow, lika the gardens which Mr. Pope describes, where ' Grove nods at erove, each alley has a brother, ' And half the platform just reflects the other. But is this a true or a false taste? We certainly borrowed it from the French in the Gallic (not Augustine)...
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The works of Alexander Pope. With a selection of explanatory notes ..., 第 3 卷

Alexander Pope - 1812
...admiration call, On ev'ry side you look, behold the wall ! No pleasing intricacies intervene, 1 15 No artful wildness to perplex the scene ; Grove nods...brother, And half the platform just reflects the other. The suff'ring eye inverted nature sees, Trees cut to statues, statues thick as trees ; 1 20 With here...
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Hogarth Illustrated from His Own Manuscripts, 第 1 卷

1812 - 237 頁
...every night." regular formality that distinguishes the aquatic f raggery of a Dutch burgomaster. , " Grove nods at grove, each alley has a brother, "And half the platform just reflects the other." * A bravo is more properly an Italian than an English charatter; but even in England, the Mofanassassinma-y...
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The Analectic Magazine, 第 5 卷

1815
...clenches, in style. They too much resemble a garden laid out according to Pope's description, " Where each alley has a brother, And half the platform just reflects the other." MR. CANNING. THIS gentleman writes verses belter than he makes speeches. If he had as much understanding...
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An Historical, Topographical and Descriptive Account of the Weald of Kent

Thomas Downes Wilmot Dearn - 1814 - 277 頁
...grounds in Harris's History of Kent, the bad taste of those days is rendered strikingly manifest, where " Grove nods at grove, each alley has a brother, And half the platform just reflects the other." This fashion, the spurious offspring of Batavian parents, but nurtured and matured by the folly of...
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