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" She was a brown beauty; that is, her eyes, hair, and eyebrows and eyelashes were dark, her hair curling with rich undulations and waving over her shoulders; but her complexion was as dazzling white as snow in sunshine, except her cheeks which were a bright... "
The New England Magazine - 第 171 頁
1906
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English Studies in Interpretation and Composition for High Schools

Myra Soper Woodley, Oscar Israel Woodley - 1906 - 376 頁
...shoulders; but her complexion was as dazzling white as snow in sunshine, except her cheeks, which were a bright red, and her lips which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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Specimens of Prose Composition

Charles Read Nutter, Frank Wilson Cheney Hersey, Chester Noyes Greenough - 1907 - 522 頁
...; but her complexion was as dazzling 20 white as snow in sunshine : except her cheeks, which were a bright red, and her lips, which were of a still deeper...crimson. Her mouth and chin, they said, were too large 1 From The History of Henry Esmond, Esq., Bk. II, chap. vii. 259 and full, and so they might be for...
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Specimens of Prose Composition

Charles Read Nutter, Frank Wilson Cheney Hersey, Chester Noyes Greenough - 1907 - 590 頁
...and chin, they said, were too large 1 From The llixt1ry of Henry Esmond, Esq., Bk. II, chap. vii. 259 and full, and so they might be for a goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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Her Infinite Variety: A Feminine Portrait Gallery

Edward Verrall Lucas - 1908 - 396 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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Thackeray's Henry Esmond

William Makepeace Thackeray - 1908 - 606 頁
...dazzling white as snow in sunshine: except her cheeks, which were a bright red, and her lips, which 20 were of a still deeper crimson. Her mouth and chin,...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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A Thackeray Dictionary: The Characters and Scenes of the Novels and Short ...

Isadore Gilbert Mudge, Minnie Earl Sears - 1910 - 362 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine : except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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A College Course in Writing from Models

Frances Campbell Berkeley Young - 1910 - 502 頁
...shoulders; but her complexion was as dazzling white as snow in sunshine: except her cheeks, which were a bright red, and her lips, which were of a still deeper...full, and so they might be for a goddess in marble, 10 but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low...
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Descriptive Writing

Evelyn May Albright - 1911 - 296 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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The Great English Novelists, 第 1 卷

William James Dawson, Coningsby Dawson - 1911 - 348 頁
...shoulders; but her complexion was as dazzling white as snow in sunshine, except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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An Anthology of Modern English Prose (1741 to 1892)

Annie Barnett, Lucy Dale - 1911 - 488 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,...
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