She was a brown beauty; that is, her eyes, hair, and eyebrows and eyelashes were dark, her hair curling with rich undulations and waving over her shoulders; but her complexion was as dazzling white as snow in sunshine, except her cheeks which were a bright... The New England Magazine - 第 171 頁1906完整檢視 - 關於此書
| Nassau William Senior - 1864 - 538 頁
...shoulders; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
| William Makepeace Thackeray - 1909 - 882 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
| William Makepeace Thackeray - 1868 - 498 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
| William Makepeace Thackeray - 1871 - 490 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
| George William Sheldon - 1880 - 456 頁
...matter in it, and his work will tell. As Thackeray in his greatest novel says of his heroine Beatrix : " Her mouth and chin, they said, were too large and...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest love-song, whose shape was perfect symmetry,... | |
| William Makepeace Thackeray - 1881 - 458 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were lire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
| William Makepeace Thackeray - 1884 - 898 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
| Lorettus Sutton Metcalf, Walter Hines Page, Joseph Mayer Rice, Frederic Taber Cooper, Arthur Hooley, George Henry Payne, Henry Goddard Leach - 1900 - 778 頁
...shoulders; but her complexion was as dazzling white as snow in sunshine; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
| William Makepeace Thackeray - 1886 - 884 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
| Henry T. Finck - 1887 - 586 頁
...; " but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper crimson ... a woman whose eyes were fire, whose look was love, whose voice was the sweetest love-song, whose... | |
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