 She was a brown beauty; that is, her eyes, hair, and eyebrows and eyelashes were dark, her hair curling with rich undulations and waving over her shoulders; but her complexion was as dazzling white as snow in sunshine, except her cheeks which were a bright...  The New England Magazine - 第 171 頁1906完整檢視 - 關於此書
 | William Makepeace Thackeray - 1889 - 524 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine : except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | William Makepeace Thackeray - 1891 - 466 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | Charles Dudley Warner - 1896 - 630 頁
...shoulders; but her complexion was as dazzling white as snow in sunshine, except her cheeks which were a bright red, and her lips which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | Charles Dudley Warner, Hamilton Wright Mabie, Lucia Isabella Gilbert Runkle, George H. Warner, George Henry Warner, Edward Cornelius Towne - 1897 - 684 頁
...shoulders; but her complexion was as dazzling white as snow in sunshine, except her cheeks which were a bright red, and her lips which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | William Makepeace Thackeray - 1898 - 350 頁
...shoulders ; but her complexion was as dazzling white as snow in sunshine : except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | 1899 - 972 頁
...that is, her eyes, hair, and eyebrows and eyelashes were dark; her hair curling with rich undulation and waving over her shoulders; but her complexion...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | John Hays Gardiner - 1900 - 520 頁
...shoulders : but her complexion was as dazzling white as snow in sunshine : except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | 1901 - 674 頁
...shoulders. But her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | William Makepeace Thackeray - 1902 - 480 頁
...snoulders ; but her complexion was as dazzling white as snow in sunshine ; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
 | Jeannette Leonard Gilder - 1910 - 330 頁
...shoulders. But her complexion was as dazzling white as snow in sunshine; except her cheeks, which were a bright red, and her lips, which were of a still deeper...goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry,... | |
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