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" I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... "
Sabrinae corolla in hortulis Regiae scholae salopiensis contexuerunt tres ... - µÚ112Ò³
±àÕߣº - 1890 - 473 Ò³
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Shakespeare, Memory and Performance

Peter Holland, Director Shakespeare Institute and Professor of Shakespeare Studies Peter Holland - 2006 - 326 Ò³
...emotional value of repeating in performance what has been heartily felt before by real people like himself: Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned . . . And all for nothing. For Hecuba . ....
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The Bad Quarto: An Imogen Quy Mystery

Jill Paton Walsh - 2007 - 270 Ò³
...pay you myself.' The tramp put his chin in his hands, and began again, with a puzzled frown: Oh, what a rogue and peasant slave am I! Is it not monstrous...Could force his soul so to his own conceit That from his working all his visage wanned Tears in his eyes, Distraction in's aspect A broken voice, and his...
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Laughing and Weeping in Early Modern Theatres

Matthew Steggle - 2007 - 182 Ò³
...shedding "real" tears by a piece of almost method-acting concentration on the story he is telling: Is it not monstrous that this player here, But in...passion, Could force his soul so to his own conceit 28 Robert Daborne, A Christian Turn 'd Turke (1612), E4v. 29 Harold Jenkins (ed.), Hamlet (London:...
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The American Nightmare

Phillip Hayes Dean - 2007 - 76 Ò³
...Worn pair of women's shoes New red pair of women's shoes Glass of water Key Knife DREAM OF PASSION "Is it not monstrous that this player here But in...passion, Could force his soul so to his own conceit." Hamlet, Act II, Scene ii CHARACTERS RAINBOW RIVERS CAYELLA RIVERS DREAM OF PASSION Scene: The lights...
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Subjectivity: Ethnographic Investigations

João Biehl, Byron Good, Arthur Kleinman - 2007 - 477 Ò³
...of passion" (2.2.554). Indeed, a striking link exists between Hamlet's description of the player who in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,...
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The Staging of Romance in Late Shakespeare: Text and Theatrical Technique

Christopher J. Cobb - 2007 - 312 Ò³
...This is the process that Hamlet imagines taking place when he considers the work of the actor, who: Could force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function...
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The Limits of Dream: A Scientific Exploration of the Mind / Brain Interface

J. F. Pagel - 2010 - 250 Ò³
...and Dream Frightening Dreams 92 Emotions and Dreaming 95 Emotions and Mind 96 Emotional Dreaming 97 Is it not monstrous that this player here, But in...own conceit, That, from her working, all his visage wann'd; Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...
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ÈÕÓ¢¤ÎÑÔ語¡¤ÎÄ»¯¡¤½ÌÓý: ¶à様¤Ê視×ù¤òÇó¤á¤Æ

ÈÕÓ¢ÑÔ語ÎÄ»¯Ñо¿»á - 2008 - 382 Ò³
...¤ò ¤¢ ¤¿ ¤«¤â 現実 ¤Ç ¤¢¤ë ¤« ¤Î ¤è¤¦ ¤Ë 損¤¸¤ë ¡£ Is it not monstrous that his player here, But in a fiction, in a dream of passion,...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...
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Revenge Tragedy and the Drama of Commemoration in Reforming England

Thomas Rist - 2008 - 188 Ò³
...style of performance by reference to the drama of the First Player, seemingly at first condemning him: Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,...
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