 | David Lee Miller - 2003 - 268 页
...go backward." Later in the same scene Hamlet marvels at the transformative powers of make-believe: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting... | |
 | K. H. Anthol - 2003 - 344 页
...Guildenstern.] Ham. Ay, so, God buy ye. — Now I am alone. O, what a rogue and peasant slave am I! 576 Is it not monstrous that this player here, But in...[own] conceit That from her working all his visage [wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function... | |
 | Ralph Twentyman - 2004 - 136 页
...for example, produce profound results? Shakespeare's Hamlet certainly found that this was so: O, what a rogue and peasant slave am I! Is it not monstrous...his own conceit That from her working all his visage wann'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting... | |
 | Kathy Elgin - 2005 - 40 页
...in this way. In the floor of the stage was a trap-door, through which devils or ghosts could appear. Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd. HAMLET, ACT 2, SCENE 2 but: only concert: thing he was imagining visage: face wann'd: went... | |
 | Heinrich F. Plett - 2004 - 600 页
...After the rehearsal has taken place, Hamlet explains why the first player's performance was so perfect: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | John Gibson, Wolfgang Huemer - 2004 - 372 页
...the discrepancy between the mere artor's histrionic intensity and his own culpable passivity: O, what a rogue and peasant slave am I! Is it not monstrous...a dream of passion, Could force his soul so to his whole conceit That from her working a1l his visage wanned, Tears in his eyes, distrartion in 's aspect,... | |
 | Salvo Pitruzzella - 2004 - 212 页
...merits particular attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in...a dream of passion. Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in's aspect,... | |
 | Gabriel Egan - 2004 - 176 页
...pipe?' (3.2.357—8). Yet he is mightily impressed with the effect of a performance upon the performer: Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in "s aspect,... | |
 | Salvo Pitruzzella - 2004 - 216 页
...merits particular attention, and will be further explored in the next section. ACTOR AND CHARACTER Is it not monstrous that this player here, But in...a dream of passion. Could force his soul so to his whole conceit That from her working all his visage wanned. Tears in his eyes, distraction in's aspect,... | |
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I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... 
