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" To me, fair friend, you never can be old, For as you were when first your eye I eyed, Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride, Three beauteous springs to yellow autumn turn'd In process of the... "
The New Monthly Magazine and Literary Journal - 第 65 頁
1835
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Shakespeare's Comedies, Histories, Tragedies, and Poems, 第 6 卷

William Shakespeare - 1858 - 736 頁
...And more, much more, than in my verse can sit, Your own glass shows you, when you look in it. CIV. To me, fair friend, you never can be old, For as you were, when first your eye I ey'd, Such seems your beauty still. Three winters cold Have from the forests shook three summers' pride...
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The Sonnets of William Shakspere: Rearranged and Divided Into Four Parts ...

William Shakespeare - 1859 - 130 頁
...tell ; And more, much more, than in my verse can sit, Your own glass shows you, when you look in it. To me, fair friend, you never can be old, For as you...have I seen, Three April perfumes in three hot Junes burn'd, Since first I saw you fresh which yet are green, Ah ! yet doth beauty, like a dial hand, Steal...
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Works ...

Leigh Hunt - 1859 - 554 頁
...image he had in his mind, seems to strike up in one's face, hot and odorous, like perfume in a censer. In process of the seasons have I seen Three April perfumes in three hot Junes burned. His allusions to Spring are numerous in proportion. We all know the song, containing that fine line,...
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Temple Bar, 第 5 卷

George Augustus Sala, Edmund Yates - 1862 - 556 頁
...for whom he cherishes so deep a love. Beauty thus at one with Truth is immortal and ever young : '' To me, fair friend, you never can be old, For as you...first your eye I eyed, Such seems your beauty still." Yet he fears, unreasonably, that unsuspected decay may somehow inhere ; notwithstanding he exclaims...
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The Golden Treasury of the Best Songs and Lyrical Poems in the English ...

Francis Turner Palgrave - 1861 - 356 頁
...: For nothing this wide universe I call, Save thou, my rose : in it thou art my all. W. Shakespeare To me, fair Friend, you never can be old, For as you...summers' pride; Three beauteous springs to yellow autumn turn'd In process of the season have I seen, Three April perfumes in three hot Junes burn'd, Since...
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Temple Bar, 第 5 卷

1862 - 558 頁
...for whom he cherishes so deep a love. Beauty thus at one with Truth is immortal and ever young : '' To me, fair friend, you never can be old, For as you...first your eye I eyed, Such seems your beauty still." Yet he fears, unreasonably, that unsuspected decay may somehow inhere ; notwithstanding he exclaims...
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The Christian Examiner, 第 73 卷

1862 - 520 頁
...must make. On first gazing at it, the lines of his celebrator rushed into memory with a thrill : — " To me, fair friend, you never can be old, For as you...still. Three winters cold Have from the forests shook throe summers' pride ; Three beauteous springs to yellow autumn turned ; In process of the seasons...
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The Poetical Works of William Shakspeare and the Earl of Surrey

William Shakespeare - 1862 - 364 頁
...And more, much more, than in my verse can sit, Your own glass shows you, when you look in it. civ. To me, fair friend, you never can be old, For as you...your eye I eyed, Such seems your beauty still. Three winters'cold Have from the forests shook three summers' pride; Three beauteous springs to yellow autumn...
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The Dramatic Works of William Shakspeare, from the Text of Johnson ..., 第 5 卷

William Shakespeare - 1862 - 546 頁
...And more, much more, than in my verse can sit, Your own glass shows you, when you look in it. CIV. To me, fair friend, you never can be old, For as you were, when first your eye I ey'd, Such seems your beauty still. Three winters cold Have from the forest shook three summers' pride...
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The Home and foreign review [formerly The Rambler]., 第 2 卷

1863 - 830 頁
...Shakespeare shows how used his ear was to these reverberations of sound in the odd line in his 104th sonnet, "For as you were, when first your eye I eyed Such seems your beauty still" The medieval Latinists, then, were epigrammatists of the first class, the unconscious moulders and...
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