 | Asa Humphrey - 1847 - 238 页
...saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon ; With spectacles on nose, and pouch on...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1848 - 74 页
...saws and modern instances, And so he plays his part : The sixth age shifts Into the lean and slippered pantaloon ; * With spectacles on nose, and pouch on...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | Thomas King Greenbank - 1849 - 446 页
...round belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern instances : And so he plays his part. The sixth...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1850 - 556 页
...and modern 1 instances, And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon ; With spectacles on nose, and pouch on...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans... | |
 | William Shakespeare - 1850 - 586 页
...and modern ' instances, And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon ; With spectacles on nose, and pouch on...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans... | |
 | William Shakespeare - 1851 - 772 页
...saws and modern instances, And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon ; With spectacles on nose, and pouch on...whistles in his sound. Last scene of all, That ends this strange, eventful history, In second childishness, and mere oblivion ; Sans teeth, sans eyes, sans... | |
 | 1851 - 496 页
...saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon ; With spectacles on nose, and pouch on...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1851 - 540 页
...and modern ! instances. And so he plays his part: The sixth age shifts Into the lean and shpper' d pantaloon; With spectacles on nose, and pouch on side;...voice, Turning again toward childish treble, pipes And w histles in his sound: Last scene of all, That ends this strange eventful history, Is second childishness,... | |
 | Durham city, sch - 1852 - 486 页
...round belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part : the sixth...whistles in his sound : last scene of all, That ends this strange eventful history, In second childishness, and mere oblivion ; Sans teeth, sans eyes, sans tante,... | |
 | William Shakespeare, William Hazlitt - 1852 - 566 页
...saws, and modern 1 instances And so he plays his part : The sixth age shifts Into the lean and shpperM pantaloon ; With spectacles on nose, and pouch on...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
| |
The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles... 
