 | George Barton Cutten - 1908 - 532 頁
...hundred lines with which he had nothing further to do but to write them down, "the images rising up as things, with a parallel production of the correspondent...expressions, without any sensation or consciousness of effort." The whole of this remarkable fragment — " Kubla Khan" — consisting of fifty-four lines,... | |
 | William Stanley Braithwaite - 1909 - 1334 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and, taking... | |
 | William Macneile Dixon - 1911 - 792 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Edward Thomas - 1911 - 388 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort." On waking he wrote down the fifty-four lines which survive. Some one called on business, and... | |
 | Frederick Converse Beach, George Edwin Rines - 1911 - 894 頁
...composed less than from 200 to 300 lines, if that can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he instantly sat down to commit the poem to paper. After he had written the lines... | |
 | Samuel Taylor Coleridge - 1912 - 1112 頁
...hundred lines ; if that indeed can 30 be called composition in which all the images rose up before Kim as things, with a parallel production of the correspondent...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Walter Barnes - 1915 - 602 頁
...hundred lines — though it was not composing in the ordinary sense of the word, since "the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort." When he awoke, he wrote down, "instantly and eagerly" the first part of his dream-poem. He... | |
 | Franklyn Bliss Snyder, Robert Grant Martin - 1916 - 566 頁
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and instantly... | |
 | Jerome J. McGann - 1991 - 232 頁
...full text of "Kubla Khan," Blake seems the producer of poetical works "in which all the images rose up before him as things, with a parallel production of the correspondent expressions": words as images, words as things. In this respect, it is difficult to avoid the similarity of Blake's... | |
| |
The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines ; . if that indeed can be called... 
