 | Samuel Taylor Coleridge - 1877 - 408 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Samuel Taylor [poetical works] Coleridge - 1877 - 416 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | George Rhett Cathcart - 1877 - 454 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...correspondent expressions, without any sensation or conseiousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole,... | |
 | George Rhett Cathcart - 1878 - 446 頁
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Samuel Taylor Coleridge - 1878 - 826 頁
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | 1878 - 720 頁
...composed during sleep which had come upon Coleridge while reading the passages in Purchas's " Pilgrimage" on which the poetical description was founded, and...was written down immediately on awaking ; the images (says Dr. Carpenter) rising up before him with a parallel production of the correspondent expressions... | |
 | 1878 - 728 頁
...and was written down immediately on awaking ; the images (says Dr. Carpenter) rising up before him with a parallel production of the correspondent expressions without any sensation or consciousness of effort. Here as in many other cases, the doctors justify their reputation for disagreeing Sir Benjamin... | |
 | 1880 - 894 頁
...the most vivid impression that he had composed between 200 and 300 lines. The images, he says, "rose up before him as things, with a parallel production of the correspondent expressions, without any sensations or consciousness of effort." On awakening, he had so distinct a remembrance of the whole,... | |
 | Samuel Taylor Coleridge - 1881 - 592 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...correspondent expressions, without any sensation or conseiousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole,... | |
 | James Baldwin - 1882 - 632 頁
...two to three hundred lines; if that, indeed, can be called composition in which all the images rose up before him as things with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and, taking... | |
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The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines ; . if that indeed can be called... 
