 | 1858 - 754 頁
...retiring to rest. Coleridge says of himself, that his fragment, " Kublakhan," was composed during sleep, "the images rising up before him as things, with a parallel production of the corresponding expressions, without any sensation or consciousness of effort." The imagination, it is... | |
 | Robert Dunn - 1858 - 138 頁
...retiring to rest. Coleridge says of himself, that his fragment, " Kublakhan," was composed during sleep, " the images rising up before him as things, with a parallel production of the corresponding expressions, without any sensation or consciousness of effort." The imagination, it is... | |
 | Samuel Taylor Coleridge - 1861 - 448 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Samuel Taylor Coleridge - 1864 - 720 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. Ou awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Samuel Taylor Coleridge - 1864 - 328 頁
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awakening he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Samuel Taylor Coleridge - 1864 - 332 頁
...from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent exThen all the charm Is broken—all that phantom-world so fair Vanishes, and a thousand circlets spread,... | |
 | Alexander Henley Grant - 1865 - 414 頁
...that indeed can be called composition in which all the images VOL. II. Q 22G WHY FRAGMENTARY. rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Alexander Henley Grant - 1865 - 414 頁
...that indeed can be called composition in which all the images VOL. II. Q 22G WHY FRAGMENTARY. rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | 1866 - 588 頁
...from two to three hundred lines; if that indued can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
 | Samuel Taylor Coleridge - 1868 - 714 頁
...two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...expressions, without any sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking... | |
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The author continued for about three hours in a profound sleep, at least of the external senses, during which time he has the most vivid confidence, that he could not have composed less than from two to three hundred lines ; . if that indeed can be called... 
