 | William Shakespeare - 1853 - 928 頁
...and women merely players : They have their exits and their entrances, And one man in his time plays him : his bold nurse's arms. Then, the whining school-boy, with his satchel, And shining morning face, creeping like... | |
 | Edward Geoffrey Parrinder, Geoffrey Parrinder - 2000 - 389 頁
...grown old, he is bent like a monkey. Mid rash, on Ecclesiastes, 1, 2 16 And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. . . . Last scene of all, That ends this strange eventful history, Is second childishness,... | |
 | David L. Sills, Robert King Merton - 2000 - 466 頁
...and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. Then the whining school-boy, with his satchel And shining morning face, creeping like... | |
 | Frances Mayes - 2001 - 548 頁
...and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the...then the whining schoolboy, with his satchel, And shining morning face, creeping like snail Unwilling to school. And then the lover, Sighing like furnace,... | |
 | Tom Loveless - 2004 - 380 頁
...of the mind. Shakespeare was a Classicist on this score. He depicts the early ages of human life as: first the infant Mewling and puking in the nurse's...then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to school. Shakespeare clearly had a less joyful... | |
 | Tom Loveless - 2004 - 372 頁
...of the mind. Shakespeare was a Classicist on this score. He depicts the early ages of human life as: first the infant Mewling and puking in the nurse's...then the whining school-boy, with his satchel And shining morning face, creeping like snail Unwillingly to schooL Shakespeare clearly had a less joyful... | |
 | Thomas Leech - 2001 - 328 頁
...and women merely players: They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurses arms. Then the whining school-boy. . . . And then the lover, sighing like furnace. . . . Then... | |
 | Agnes Kaposi, Margaret Myers - 2001 - 390 頁
...and women merely players; They have their exits and their entrances; And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms; Then the whining schoolboy, with his satchel And shining morning face, creeping like... | |
 | Harold Bloom - 2001 - 750 頁
...women merely players. /They have their exits and their entrances, / And one man in his tiine plays many parts, / His acts being seven ages. At first, the infant, / Mewling and puking in the nurse's arms. /Then, the whining school-boy, with his satchel /And shining morning face, creeping like... | |
 | Jennifer Mulherin - 2001 - 36 頁
...players: They have their exits and their entrances; And one man in his time plays many parts, His aets being seven ages. At first the infant. Mewling and puking in the nurse's amis . . . . . .And then the lover. Sighing like furnace, with a woful ballad Made to his mistress'... | |
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All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms. 
