 ... were of a still deeper crimson. Her mouth and chin, they said, were too large and full, and so they might be for a goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape...  The New England Magazine - 第 171 頁1906完整檢視 - 關於此書
 | William Dudley Foulke - 1912 - 282 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot, as it planted itself on the...sarcastic — there was no single movement of hers but was beautiful. As he thinfe of her, he who writes feels young again, and remembers a paragon." Esmond... | |
 | Rollo Walter Brown, Nathaniel Waring Barnes - 1913 - 400 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — . there was no single movement of hers but was beautiful.1 No limit can be placed upon the length of a characterization of this kind, but the... | |
 | Hugh Robert Eardley Childers - 1913 - 412 頁
...Beatrix did to Harry Esmond when he gazed enraptured upon her as she descended the Walcote staircase, " agile as a nymph, lofty as a queen — now melting, now imperious, now sarcastic." She is said to have been the original of Beatrix, and when we look at Du Maurier's illustration we... | |
 | Harry Torsey Baker - 1916 - 296 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic: there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. After... | |
 | Philander Priestley Claxton, James McGinniss - 1917 - 592 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic, — there was no single movement of hers but was beautiful. So she came holding her dress with one fair rounded arm, and her taper before her, tripping... | |
 | 1919 - 478 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot, as it planted itself on the...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | William Makepeace Thackeray - 1919 - 650 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground was firm but 20 flexible, and whose motion, whether rapid or slow, was always perfect grace — agile as a nymph,... | |
 | New York Public Library - 1917 - 578 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her he who writes feels young again and remembers a paragon. // you... | |
 | Sir Arthur Thomas Quiller-Couch, Arthur Quiller-Couch - 1925 - 264 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | Arthur Quiller-Couch - 1925 - 1262 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground,...sarcastic, there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
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