 ... were of a still deeper crimson. Her mouth and chin, they said, were too large and full, and so they might be for a goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape...  The New England Magazine - 第 171 頁1906完整檢視 - 關於此書
 | Myra Soper Woodley, Oscar Israel Woodley - 1906 - 376 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic, — : there was no single movement of hers but was beautiful. From "The History of Henry Esmond." — WILLIAM M. THACKERAY. In the following the writer... | |
 | Myra Soper Woodley, Oscar Israel Woodley - 1906 - 376 頁
...was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose i'oot as it planted itself on the ground was firm but flexible,...sarcastic, — there was no single movement of hers but was beautiful. From "The History of Henry Esmond." — WILLIAM M. THACKERAY. In the following the writer... | |
 | Charles Read Nutter, Frank Wilson Cheney Hersey, Chester Noyes Greenough - 1907 - 522 頁
...was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot 5 as it planted itself on the ground was firm but flexible,...sarcastic — there was no single movement of hers but was beautiful. As he thinks of 10 her, he who writes feels young again, and remembers a paragon. So... | |
 | Edward Verrall Lucas - 1908 - 396 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. II WHAT is the meaning of fidelity in love, and whence the birth of it ? 'Tis a state... | |
 | William Makepeace Thackeray - 1908 - 606 頁
...sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it 25 planted itself on the ground was firm but flexible,...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and re- 30 members a paragon.... | |
 | Frances Campbell Berkeley Young - 1910 - 502 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...and whose motion, whether rapid or slow, was always 15 perfect grace — agile as a nymph, lofty as a queen — now melting, now imperious, now sarcastic... | |
 | Isadore Gilbert Mudge, Minnie Earl Sears - 1910 - 362 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground was firm but ELL ESM flexible, and whose motion, whether rapid or slow, was always perfect grace — agile as a... | |
 | William James Dawson, Coningsby Dawson - 1911 - 348 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity; whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | Evelyn May Albright - 1911 - 296 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic, there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | Annie Barnett, Lucy Dale - 1911 - 488 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...motion, whether rapid or slow, was always perfect grace—agile as a nymph, lofty as a queen —now melting, now imperious, now sarcastic—there was... | |
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