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書籍 書目41 - 50,共 85 頁;搜尋條件:... were of a still deeper crimson. Her mouth and chin, they said, were too large...
" ... were of a still deeper crimson. Her mouth and chin, they said, were too large and full, and so they might be for a goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape... "
The New England Magazine: An Illustrated Monthly - 第 195 頁
1906
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English Studies in Interpretation and Composition for High Schools

Myra Soper Woodley, Oscar Isreal Woodley - 1906 - 331 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic, — : there was no single movement of hers but was beautiful. From "The History of Henry Esmond." — WILLIAM M. THACKERAY. In the following the writer...
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English Studies in Interpretation and Composition for High Schools

Myra Soper Woodley, Oscar Isreal Woodley - 1906 - 331 頁
...was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose i'oot as it planted itself on the ground was firm but flexible,...sarcastic, — there was no single movement of hers but was beautiful. From "The History of Henry Esmond." — WILLIAM M. THACKERAY. In the following the writer...
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Specimens of Prose Composition

Charles Read Nutter, Frank Wilson Cheney Hersey, Chester Noyes Greenough - 1907 - 478 頁
...was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot 5 as it planted itself on the ground was firm but flexible,...sarcastic — there was no single movement of hers but was beautiful. As he thinks of 10 her, he who writes feels young again, and remembers a paragon. So...
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Her Infinite Variety: A Feminine Portrait Gallery

Edward Verrall Lucas - 1908 - 371 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. II WHAT is the meaning of fidelity in love, and whence the birth of it ? 'Tis a state...
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Thackeray's Henry Esmond

William Makepeace Thackeray - 1908 - 553 頁
...sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it 25 planted itself on the ground was firm but flexible,...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and re- 30 members a paragon....
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A College Course in Writing from Models

Frances Campbell Berkeley Young - 1910 - 478 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...and whose motion, whether rapid or slow, was always 15 perfect grace — agile as a nymph, lofty as a queen — now melting, now imperious, now sarcastic...
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The Great English Novelists, 第 1 卷

William James Dawson, Coningsby Dawson - 1911
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity; whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she...
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Descriptive Writing

Evelyn May Albright - 1911 - 275 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic, there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she...
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An Anthology of Modern English Prose: (1741 to 1892).

1911 - 451 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...motion, whether rapid or slow, was always perfect grace—agile as a nymph, lofty as a queen —now melting, now imperious, now sarcastic—there was...
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Masterpieces of the Masters of Fiction

William Dudley Foulke - 1912 - 269 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot, as it planted itself on the...sarcastic — there was no single movement of hers but was beautiful. As he thinfe of her, he who writes feels young again, and remembers a paragon." Esmond...
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