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書籍 書目31 - 40,共 85 頁;搜尋條件:... were of a still deeper crimson. Her mouth and chin, they said, were too large...
" ... were of a still deeper crimson. Her mouth and chin, they said, were too large and full, and so they might be for a goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape... "
The New England Magazine: An Illustrated Monthly - 第 195 頁
1906
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Self Culture, 第 8 卷

1899
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic, there was no single movement of hers but was beautiful." She is radiance and light gloriouslyincarnate, is she not ? And we are all lovers with...
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The forms of prose literature

John Hays Gardiner - 1900 - 498 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon." Here...
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The world's great masterpieces: history, biography, science, philosophy ...

Harry Thurston Peck, Frank Richard Stockton, Nathan Haskell Dole, Julian Hawthorne, Caroline Ticknor - 1901
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot, as it planted itself on the...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she...
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The history of Henry Esmond, esq

William Makepeace Thackeray - 1902
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...motion, whether rapid or slow, was always perfect grace—agile as a nymph, lofty as a queen— now melting, now imperious, now sarcastic—there was...
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William Makepeace Thackeray

Charles Whibley - 1903 - 253 頁
...it plants itself upon the ground is firm but flexible, and whose motion, whether rapid or slow, is always perfect grace — agile as a nymph, lofty as...now melting, now imperious, now sarcastic — there is no single movement of hers but is beautiful." What wonder that, as he thought of her, he felt young...
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The History of Henry Esmond, Esq: A Colonel in the Service of Her Majesty ...

William Makepeace Thackeray - 1904 - 448 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...melting, now imperious, now sarcastic — there was 110 single movement of hers but was beautiful. As he thinks of her, he who writes feels young again,...
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The Works of William Makepeace Thackeray, 第 10 卷

William Makepeace Thackeray - 1904
...shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the VOL. I. ground was firm but flexible, and whose motion, whether...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she...
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Masterpieces of the World's Best Literature, 第 8 卷

Jeannette Leonard Gilder - 1910
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot, as it planted itself on the...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she...
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The History of Henry Esmond, Esq: Colonel in the Service of Her Majesty ...

William Makepeace Thackeray - 1905 - 402 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...lofty as a queen — now melting, now imperious, now sarcastick, there was no single movement of hers but was beautiful. By the great crachling fire. As...
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Henry Esmond

William Makepeace Thackeray - 1905
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground was firm but flexible, and whose motion, [275] whether rapid or slow, was always perfect grace — agile as a nymph, lofty as a queen — now...
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