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" ... were of a still deeper crimson. Her mouth and chin, they said, were too large and full, and so they might be for a goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape... "
The New England Magazine - 第 171 頁
1906
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Eliza Cook's Journal, 第 8 卷

1853 - 432 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...lofty as a queen — now melting, now imperious, now sareastic ; there was no single movement of hers but was beautiful. As he thinks of her, he who writes...
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