 ... were of a still deeper crimson. Her mouth and chin, they said, were too large and full, and so they might be for a goddess in marble, but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape...  The New England Magazine - 第 171 頁1906完整檢視 - 關於此書
 | William Makepeace Thackeray - 1858 - 504 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground,...sarcastic, there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | William Makepeace Thackeray - 1897 - 876 頁
...was love, whose voice was the sweetest love song, whose shape was perfect symmetry, health, decision, activity ; whose foot, as it planted itself on the...flexible, and whose motion, whether rapid or slow, was perfect grace ; agile as a nymph, lofty as a queen, now melting, now imperious. There was no single... | |
 | William Makepeace Thackeray - 1909 - 882 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground,...sarcastic, there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | Nassau William Senior - 1864 - 538 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity ; whose foot as it planted itself on the...sarcastic, there was no single movement of hers but was beautiful. As he thinks of her, he •who writes feels young again, and remembers a paragon. Beatrix... | |
 | William Makepeace Thackeray - 1868 - 498 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | William Makepeace Thackeray - 1881 - 886 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. As he Uiiiiks of her, he who writes feels young again, and remembers a jmragon. So she... | |
 | William Makepeace Thackeray - 1884 - 898 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic, — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | William Makepeace Thackeray - 1884 - 568 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...sarcastic — there was no single movement of hers but was beautiful. As he thinks of her, he who writes feels young again, and remembers a paragon. So she... | |
 | William Makepeace Thackeray - 1886 - 884 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision, activity, whose foot as it planted itself on the ground...always perfect grace — agile as a nymph, lofty as a ijueen, — now melting, now imperious, now sarcastic — there was no single movement of hers but... | |
 | William Makepeace Thackeray - 1886 - 456 頁
...was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health. decision, activity, whose foot as it planted itself on the ground...firm but flexible, and whose motion, whether rapid or slow_ was always perfect grace — agile as a nymph, lofty as a queen — now melting, now imperious,... | |
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