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" Words are like leaves ; and where they most abound, Much fruit of sense beneath is rarely found. "
The British poets, including translations - 第 15 頁
British poets 著 - 1822
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Broome, Pope, Pitt, Thomson

Alexander Chalmers - 1810 - 536 頁
...language all their care express, And value books, as women men, for dress: Their praisa is still, — the style is excellent: The sense, they humbly take...prismatic glass, Its gaudy colours spreads on every place ; VARIATIONS. Ver. 259. As men of breeding, oft the men of wit Ver 265. They talk of principles, but...
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The Works of the English Poets, from Chaucer to Cowper: Including ..., 第 16 卷

Samuel Johnson - 1810 - 656 頁
...express. And value books, as women men, for dress: Their praise is still — the style is excsHent; The sense they humbly take upon content. Words are...False eloquence, like the prismatic glass Its gaudy colours-spreads on ev'ry place ; 1 Naturam intueamur, bane sequamur; id facillimc accipiunt animi quod...
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Poems

Joseph Addison - 1810 - 312 頁
...language all their care express, 305 and value books as women men, for dress: their praise is still— the style is excellent; the sense they humbly take...abound, much fruit of sense beneath is rarely found. 310 False eloquence, like the prismatic glass, it's gaudy colours spreads on ev'ry place; the face...
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Poems by Cowley, Waller, Butler, Denham, Dryden, and Pomfret, 第 77-79 期

Abraham Cowley - 1810 - 314 頁
...language all their care express, 305 and value books as women men, for dress: their praise is still— the style is excellent ; the sense they humbly take...abound, much fruit of sense beneath is rarely found. 310 False eloquence, like the prismatic glass, it's gaudy colours spreads on ev'ry place; ' the face...
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The Christian's Magazine, 第 3 卷

1810 - 724 頁
...transmutations, take place in one short sentence. Every thing comes alive from the pen of Dr. Hobait. " False eloquence, like the prismatic glass, " Its gaudy colours spreads on every place." POPE. But we forbear. It was not for the purpose of criticism on the style of composition, that ^ve...
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The Christian's Magazine, 第 3 卷

1810 - 724 頁
...quasi inter sobrios bacchari temulentus videtur. Every thing comes alive from the pen of Dr. Hobart. " False eloquence, like the prismatic glass, " Its gaudy colours spreads on every place." POPE. But we forbear. It was not for the purpose of criticism on the style of composition, that we...
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Maxims and Directions for Youth, on a Variety of Important and Interesting ...

Rev. John Thornton - 1811 - 106 頁
...kindle flames or quench them. 65. A constant talker tires, and a caviller torments every company. 66. Words are like leaves, and where they most abound, Much fruit of sense beneath is rarely found. Pope. 67. Levity and impertinence are the/«tfA, lies and impurity the sediment of discourse. 68. Give...
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The American Orator, Or, Elegant Extracts in Prose and Poetry: Comprehending ...

Increase Cooke - 1811 - 428 頁
...as they rise, Their praise is still the style is excellent; The sense they humbly take upon content. False eloquence like the prismatic glass, Its gaudy colours spreads on every place. RULE IV. The vowel e, which is frequently cut off and supplied by an apostrophe, as th', ev'ry, gen'rous,...
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Poetica de Horatio e o Ensaio sobre a Critica de A. Pope. Em Portuguez. Por ...

Horace - 1812 - 198 頁
...Language all their care express, 305 And value books, as women men, for dress: Their praise is still, the style is excellent ; The sense they humbly take...abound, Much fruit of sense beneath is rarely found: 310 A natureza nua, e as graças vivas 360 Com doiradura e joias cobrem tudo. Os adornos escondem falta...
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The Poetical Works of Alexander Pope: With His Last Corrections, Additions ...

Alexander Pope - 1812 - 230 頁
...language all their ^care express, 305 And value books as women men, for dress : Their praise is still.. ..the style is excellent; The sense they humbly take...abound, Much fruit of sense beneath is rarely found. 310 False eloquence, like the prismatic glass, Its gaudy colours spreads on ev'ry place ; The face...
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