 | Alison Hickey - 1997 - 268 頁
...Clarendon Press, 1965), 558 (No. 416). 10. Addison, 559 (No. 416). 11. According to Coleridge, "FANCY . . . has no other counters to play with, but fixities and...Memory emancipated from the order of time and space" (Biographia Literaria, ed. James Engell and Walter Jackson Bate, vol. 7 [2 books] of The Collected... | |
 | Marion Montgomery - 1998 - 242 頁
...though Coleridge concludes that all its "objects (as objects) are essentially fixed and dead." But fancy on the contrary "has no other counters to play...memory emancipated from the order of time and space." Thus liberated it becomes manipulative in its play, irreverently disposed to reality. (I have considered... | |
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The fancy is indeed no other than a mode of memory emancipated from the order of time and space, while it is blended with, and modified by, that empirical phenomenon of the will which we express by the word choice. But equally with the ordinary memory... 
