...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...Memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word...

...primary in the kind of its agency, and differing only in degree, and in the mode of its operation . . . Fancy, on the contrary, has no other counters to play...memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will which we express by the word...

...impossible, yet still at all events it struggles to idealize and to unify. It is essentially vital . . . Fancy, on the contrary, has no other counters to play...memory emancipated from the order of time and space . . . I take this to mean that the primary imagination is what Coleridge calls the human mind's power...

...essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the other hand, has no other counters to play with, but fixities and...memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word...

...operation . . . Fancy, on the contrary, has no other counters to play with but fixities and définîtes. The fancy is indeed no other than a mode of memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will which we express by the word...

...potentially uncontrollable effects of mesmerism, is Coleridge's marginalization of Fancy. Fancy is "no other than a mode of Memory emancipated from the order of time and space" that "receive [s] all its materials ready made from the law of association" (1:305). This return of...

...meditation, Coleridge dismisses what we are now accustomed to call imagination as mere 'fancy' that is 'no other than a mode of memory emancipated from the order of time and space'. Authentic imagination on the other hand is of two kinds — primary and secondary. The primary imagination...

...Fancy, on the other hand, was almost the opposite of imagination, more mechanical than creative, being 'no other than a mode of memory emancipated from the order of time and space'; and, like memory, receiving 'all its materials ready made from the law of association'." The Primary...