 | C. S. Lewis - 2004 - 1086 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and définîtes. The fancy is indeed no other than a mode of memory emancipated from the order of time... | |
 | David Sandner - 2004 - 384 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and definities. The fancy is indeed no other than a mode of memory emancipated from the order of time and... | |
 | Werner Beierwaltes, Jean-Marc Narbonne, Alfons Reckermann - 2004 - 608 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play with, but fixities and definîtes. The Fancy is indeed no other than a mode of Memory emancipated from the order of time and... | |
 | Fredric Jameson - 2005 - 460 頁
...to unify. It is essentially vital, even as all objects {as objects) are essentially fixed and dead. "Fancy, on the contrary, has no other counters to...it is blended with, and modified by that empirical phenomenon of the will, which we express by the word Choice. But equally with the ordinary memory the... | |
 | Gesa Elsbeth Thiessen - 2005 - 424 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play...memory emancipated from the order of time and space; and blended with, and modified by that empirical phaenomenon of the will which we express by the word... | |
 | Antonio D. Tillis - 2005 - 148 頁
...mythological machinery silly and commonplace (The Active Universe, 137). appearances: "FANCY . . . has no other counters to play with, but fixities and...Memory emancipated from the order of time and space" (BL, 1 :305). The higher faculty draws on an inner living power in human beings to see or reshape the... | |
 | Paul Dawson - 2005 - 272 頁
...the imagination is achieved by relegating functions it was commonly held to perform to that of fancy. 'The fancy is indeed no other than a mode of memory emancipated from the order of time and space,' he claims, so 'equally with the ordinary memory it must receive all its materials ready made from the... | |
 | Bruce Mills - 2005 - 202 頁
...engaging the imagination and thus coming into contact with divine creation. So, in defining fancy as "no other than a mode of Memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word... | |
 | Michael O'Neill, Mark Sandy - 2006 - 362 頁
...conception of a non-creative passivity, here presented in another light and with different relations: FANCY, on the contrary, has no other counters to play...Memory emancipated from the order of time and space; and blended with, and modified by the empirical phenomenon of the will, which we express by the word... | |
 | Jill Line - 2006 - 196 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...Memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word... | |
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The fancy is indeed no other than a mode of memory emancipated from the order of time and space, while it is blended with, and modified by, that empirical phenomenon of the will which we express by the word choice. But equally with the ordinary memory... 
