 | Terrence Merrigan, Ian Turnbull Ker - 2000 - 274 頁
...akin to Coleridge's "fancy." The poet had described 'fancy' as an "assembling" or "aggregating power," "a mode of memory emancipated from the order of time and space," which, in the words of one commentator, "is modified by the conscious selecting powers of the mind."... | |
 | Li-fen Chen - 2000 - 178 頁
...immediacy of "fancy"; the former "dissolves, diffuses, dissipates, in order to re-create" while the latter "has no other counters to play with but fixities and definites," the mere "aggregative and associate power" to transcribe objects of the senses.21 Again it is in the context... | |
 | Li-fen Chen - 2000 - 178 頁
...immediacy of "fancy"; the former "dissolves, diffuses, dissipates, in order to re-create" while the latter "has no other counters to play with but fixities and definites," the mere "aggregative and associate power" to transcribe objects of the senses. 21 Again it is in the context... | |
 | Hans Werner Breunig - 2002 - 356 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...Memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word... | |
 | Frank Mehring - 2001 - 194 頁
...Emerson, „Gnothi Seauton". VI, 52-57. 306 Vgl. Wellek, History of Modern Criticism. Vol. 2. S. 391. FANCY, on the contrary, has no other counters to play with, but fixities and deflnites. The Fancy is indeed no other than a mode of Memory emancipated frorn the order of time and... | |
 | Martin Travers - 2001 - 372 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with but fixities and defmites. The fancy is indeed no other than a mode of memory emancipated from the order of time and... | |
 | Bernadette Malinowski - 2002 - 468 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...Memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word... | |
 | John Allison - 2003 - 180 頁
...and unify. It is essentially vital, even as all obfects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play...memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will which we express by the word... | |
 | Marius Buning - 2003 - 292 頁
...I AM." He also defines Fancy as having "no other counters to play with. hut fixities and dcfinites. The Fancy is indeed no other than a mode of Memory emancipated from the order of time and space" 1Coleridge. 304-3051. In this. Coleridge places Fancy in contrast with Imagination. Yet. while Fancy... | |
 | Sanja Sostaric - 2003 - 364 頁
...definition in Biographia Literaria by pointing out that fancy plays with "fixities and definities", being "no other than a mode of Memory emancipated from the order of time and space" (CW 7,1: 305). Only in the last phase of the process was the poet to some extent enabled to participate... | |
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The fancy is indeed no other than a mode of memory emancipated from the order of time and space, while it is blended with, and modified by, that empirical phenomenon of the will which we express by the word choice. But equally with the ordinary memory... 
