 | David Shulman, Guy G. Stroumsa - 1999 - 336 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play...The Fancy is indeed no other than a mode of Memory emanicipated from the order of time and space.20 namely genius and original creativity. They were thrown... | |
 | Gillie Bolton - 1999 - 254 頁
...stories are always a symbolic representation of ourselves. (Gersie and King 1990) The Fancy [imagination] is indeed no other than a mode of memory emancipated from the order of time and space. (Samuel Taylor Coleridge 1975, p. 167) their culture. Creating an artefact, a piece of writing, out... | |
 | George W. Young - 1999 - 222 頁
...with 'fixities,' and 'definites,' (ie, images) as they appear in our memory. "Fancy," he states, "is a mode of memory emancipated from the order of time and space; and blended with, and modified by that empirical phenomenon of the will, which we express by the word... | |
 | Laurence Coupe, Jonathan Bate - 2000 - 340 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...it is blended with, and modified by that empirical phenomenon of the will, which we express by the word choice. But equally with the ordinary memory of... | |
 | Laurence Coupe, Jonathan Bate - 2000 - 346 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play...it is blended with, and modified by that empirical phenomenon of the will, which we express by the word choice. But equally with the ordinary memory of... | |
 | Reinhold Brinkmann, Bard Music Festival - 2000 - 402 頁
...recreate ... to idealize and to unify. It is essentially vital . . ."20 Fancy, on the other hand, is "no other than a mode of memory emancipated from the order of time and space; . . . equally with the ordinary memory the Fancy must receive all its materials ready made from the... | |
 | Doris Ruhe - 2000 - 220 頁
...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with, but fixities and definitcs. The Fancy is indeed no other than a mode of Memory emanicipated from the order of time and... | |
 | Terrence Merrigan, Ian Turnbull Ker - 2000 - 274 頁
...akin to Coleridge's "fancy." The poet had described 'fancy' as an "assembling" or "aggregating power," "a mode of memory emancipated from the order of time and space," which, in the words of one commentator, "is modified by the conscious selecting powers of the mind."... | |
 | Li-fen Chen - 2000 - 178 頁
...immediacy of "fancy"; the former "dissolves, diffuses, dissipates, in order to re-create" while the latter "has no other counters to play with but fixities and definites," the mere "aggregative and associate power" to transcribe objects of the senses.21 Again it is in the context... | |
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The fancy is indeed no other than a mode of memory emancipated from the order of time and space, while it is blended with, and modified by, that empirical phenomenon of the will which we express by the word choice. But equally with the ordinary memory... 
