...where this process is rendered impossible, yet still at all events it struggles to idealise and unify Fancy, on the contrary, has no other counters to play...mode of memory emancipated from the order of time and space2.' We should accept this distinction, although we need not tie ourselves to the letter of Coleridge's...

...where this process is rendered impossible, yet still at all events it struggles to idealise and unify Fancy, on the contrary, has no other counters to play with, but fixities and definites. The-iancy is indeed no other than a mode of memory emancipated from the order of time and space 2 .'...

...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play...it is blended with, and modified by, that empirical phenomenon of the will which we express by the word choice. But equally with the ordinary memory the...

...objects. These are the ' fixities and definities ' which are grouped together through associative links. " The Fancy is indeed no other than a mode of Memory...it is blended with, and modified by that empirical phenomenon of the will, which we express by the word chance. But equally with the ordinary memory the...

...not intuition, can intuition he "an association of sensations?" Coleridge describes Fancy as-"indeed no other than a mode of memory emancipated from the order of [time -and space" and adds: — " equally with the ordinary memory, the Fancy must receive all its materials readymade...

...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play...it is blended with and modified by that empirical phenomenon of the will which we express by the word "choice." But equally with the ordinary memory...

...to unify. It is essentially vital, even as all objects (as objects) are essentially fixed and dead. Fancy, on the contrary, has no other counters to play with, but fixities and definites." 1 So for Wordsworth, imagination is a word " denoting operations of the mind upon . . . objects." 2...

..." to the time of the pub" Ibid., pp. 533-35. " Biographia Literaria, pp. 177-78. "Ibid., p. 178. " Fancy, on the contrary, has no other counters to play with, but fixities and definitives. The fancy is indeed no other than a mode of Memory emancipated from the order of time...

...Clarendon Press, 1965), 558 (No. 416). 10. Addison, 559 (No. 416). 11. According to Coleridge, "FANCY . . . has no other counters to play with, but fixities and...Memory emancipated from the order of time and space" (Biographia Literaria, ed. James Engell and Walter Jackson Bate, vol. 7 [2 books] of The Collected...

...though Coleridge concludes that all its "objects (as objects) are essentially fixed and dead." But fancy on the contrary "has no other counters to play...memory emancipated from the order of time and space." Thus liberated it becomes manipulative in its play, irreverently disposed to reality. (I have considered...