| Emma J. Todd, William Bramwell Powell - 1895 - 136 頁
...thought-giving, and should always be sentence work. The beginner in reading is unable to carry the eye from the end of one line to the beginning of the next without making a pause. To aid him in giving natural expression in reading long sentences, care has... | |
| Francis Warner - 1897 - 296 頁
...each. Thus: The child is inaccurate in reading and slips a line, as he fails to carry his eye correctly from the end of one line to the beginning of the next; this may be due to untrained eye-movements, not to mental dulness; for this reason eye-drill for five... | |
| Eustace Miles - 1900 - 448 頁
...mentioned, except in reference to Poetry: it is that Writing is hampered by lines. The eye has to pass from the end of one line to the beginning of the next, and the breaks and delays, though inappreciable as individual breaks and delays, are in their sum-total... | |
| Henry Heath Bawden - 1900 - 142 頁
...typewriter, examples of which are grouped together in Table V. Many graphic errors were made in passing from the end of one line to the beginning of the next. Though numerous, but few of these are here recorded. Most such cases of simple reiteration seem to... | |
| Walter Fenno Dearborn - 1906 - 164 頁
...lines which separate the vertical lines into groups of three or more are the return sweeps of the eye from the end of one line to the beginning of the next. The extent of the eye's movement was magnified on the negative about four times. This was accomplished... | |
| Frances Gulick Jewett - 1906 - 200 頁
...stretched across the whole page from one side to the other, it would be hard for the eye to jump back from the end of one line to the beginning of the next. With large letters, therefore, each line may be much longer than when the letters are small. People... | |
| Albert Shaw - 1907 - 1126 頁
...with clear type, good margins, and lines sufficiently short and far apart so that when the eye travels from the end of one line to the beginning of the next it will not be apt to fall on the wrong place; (2) select reading matter that requires more study than... | |
| Albert Shaw - 1907 - 1028 頁
...with clear type, good margins, and lines sufficiently short and far apart so that when the eye travels from the end of one line to the beginning of the next it will not be apt to fall on the wrong place ; ( 2 ) select reading matter that requires more study... | |
| June Etta Downey - 1908 - 548 頁
...arm-handfinger movement required in the formation of letters, while the second is a free sweep of the arm from the end of one line to the beginning of the next. In the present test since before writing blindfolded the observer had written the verse several times... | |
| 1909 - 562 頁
...In composing, an unusual demand for any particular letter or character. Run Over. — To carry words from the end of one line to the beginning of the next, and so on to the end of the paragraph, or until by closer spacing the matter is taken in. Saddle Stitched.... | |
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