 | William Shakespeare - 1821 - 668 頁
...with good capon lin'd, " With eyes severe, and beard of formal cut, " Full of wise saws and modern instances ; " And so he plays his part. The sixth...shrunk shank ; and his big manly voice, Turning again tow'rd childish treble, pipes And whistles in his sound: Last scene of all, That ends this strange... | |
 | William Shakespeare - 1821 - 516 頁
...belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part: the sixth age...on nose, and pouch on side ; His youthful hose well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish... | |
 | William Shakespeare - 1821 - 540 頁
...but he does not describe the dress of the Pantaloon. MALONE. 6 — the lean and slipper'd PANTALOON, For his shrunk shank ; and his big manly voice, Turning...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1821 - 538 頁
...Fortune : [See vol. Hi.] " Enter the panteloun and pescode with spectakles." STEEVENS. For his shrank shank ; and his big manly voice, Turning again toward...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | John Platts - 1822 - 844 頁
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise laws, and modern instances, And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1823 - 984 頁
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws andmodernf eit-swell'd, so old, and so profane; But, being awake,...wider than for other men : — Reply not to me with a strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Enfield - 1823 - 412 頁
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1823 - 350 頁
...capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances ; And BO he plays his part. The sixth age shifts Into the lean...whistles in his sound. Last scene of all. That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1823 - 322 頁
...observed that one of the ancient semes of tudden, u violent. Into the lean and slipper'd pantaloon ;3 With spectacles on nose, and pouch on side ; His youthful...whistles in his sound: Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 1823 - 436 頁
...belly, with good capon lin'd, ' With eyes severe, and beard of formal cut, Full of wiee saws and modern2 instances, And so he plays his part : The sixth age...sav'd, a world too wide For his shrunk shank ; and his tnV manly voice, Turning again toward childish treble, pipes And whistles in his sound : Last scene... | |
| |
The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose, and pouch on side ; His youthful hose, well sav'd, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles... 
