 | Mrs. Inchbald - 1808 - 434 頁
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part : The sixth age...on nose, and pouch on side; His youthful hose well sav'cl, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish... | |
 | William Shakespeare - 1809 - 390 頁
...with good capon lin'd, ' With eyes severe, and besrd of formal cut, " Full of wise saws and modern instances; " And so he plays his part. The sixth age...shrunk shank; and his big manly voice, " Turning again tow'rd childish treble, pipes " And whistles in his sound: Last scene of all, "That ends this strangle... | |
 | William Shakespeare - 1809 - 394 頁
...with g'ood capon lin'd, " With eyes severe, and beard of formal cut, "Full of wise saws and modern instances; " And so he plays his part. The sixth age...shrunk shank ; and his big manly voice, "Turning again tow'rd childish treble, pipes " And whistles in his sound : Last scene of all, "That ends this s! range... | |
 | George Gregory - 1809 - 384 頁
...with good capon lin'd, ' With eyes severe, and beard of formal cut, ' full of wise saws and modern instances, ' And so he plays his part : the sixth...shrunk shank; and his big manly voice, ' Turning again towards childish treble, pipes ' And whistles in his sound : Last scene of all, ' That ends this strange... | |
 | William Shakespeare - 1810 - 122 頁
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part: The sixth age...too wide For his shrunk shank ; and his big manly voicej Turning again toward childish treble, pipes And whistles in his sound: Last scene of all, Is... | |
 | William Shakespeare - 1810 - 418 頁
...that one of the ancient senses of sudden, is violent, J Into the lean and slipper'd pantaloon ;s With spectacles on nose, and pouch on side ; His youthful...pipes And whistles in his sound : Last scene of all, j That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth,... | |
 | William Shakespeare - 1810 - 444 頁
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age...His youthful hose, well sav'd, a world too wide For hie shrunk shanks ; and his big manly voice, Turning again toward childish treble, pipes And whistles... | |
 | William Shakespeare - 1811 - 580 頁
...good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances,8 And so he plays his part : The sixth age shifts Into...voice, Turning again toward childish treble, pipes 3 His acts being seven ages.] I have seen, more than once, an old print, entitled The Stage of Man's... | |
 | William Shakespeare - 1811 - 436 頁
...and beard of format cut, Full of wise saws and modern t instances, 374 AS YOU LIKE IT. Act II. And EO he plays his part: The sixth age shifts Into the lean...pantaloon ; With spectacles on nose, and pouch on side ; II is youthful hose well sav'd, a world too wide For his shrunk shank ; and his big manly voice,... | |
 | William Shakespeare - 1813 - 362 頁
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part : The sixth age...whistles in his sound : Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste,... | |
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The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose, and pouch on side ; His youthful hose, well sav'd, a world too wide For his shrunk shank, and his big manly voice, Turning again toward childish treble, pipes And whistles... 
