 | Samuel Taylor Coleridge - 1898 - 804 頁
...worldbefore us ; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not,...that neither feel nor understand. ' With this view I \vrote The Ancient ilfiirincr, and was preparing, among other poems, the Dark I^adie, and the Cltrisiaitt,... | |
 | Samuel Taylor Coleridge - 1898 - 166 頁
...treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes^yet see not, ears that hear not, and hearts that neither feel nor understand." To this volume, which was published anonymously in 1798, Coleridge contributed the Ancient Mariner... | |
 | 1899 - 666 頁
...which Wordsworth had displayed in his special department of the volume. For his own part, he says, "I wrote the Ancient Mariner, and was preparing, among other poems, the Dark Ladie and the Christabel, in which I should have more nearly realised my ideal than I had done in my first attempt.... | |
 | Samuel Taylor Coleridge - 1899 - 108 頁
...but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes which see not, ears that hear not, and hearts that neither feel nor understand." Concerning the origin of The Ancient Mariner, Wordsworth has written: — "In the autumn of the year... | |
 | Royal Society of Literature (Great Britain) - 1899 - 572 頁
...treasure, but for which, in consequence of the film of familiarity and self-solicitude, we have eyes that see not, ears that hear not, and hearts that neither feel nor understand." That is a hard saying, but, in plainer if rougher speech, Wordsworth's aim was to make us see and feel... | |
 | Samuel Taylor Coleridge - 1900 - 170 頁
...world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not,...preparing, among other poems, the Dark Ladie and the Christdbel, in which I should have more nearly realized my ideal than I had done in my first attempt.... | |
 | Samuel Taylor Coleridge - 1900 - 186 頁
...world before us ; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not,...preparing, among other poems, the ' Dark Ladie,' and the ' Christabel,' in which I should have more nearly realized my ideal than I had done in my first attempt.... | |
 | Samuel Taylor Coleridge - 1900 - 184 頁
...world before us; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not,...preparing, among other poems, the ' Dark Ladie,' and the ' Christabel,' in which I should have more nearly realized my ideal than I had done in my first attempt.... | |
 | William Hale White - 1900 - 306 頁
...world before us ; an inexhaustible treasure, but for which, in consequence of the film of familiarity and selfish solicitude we have eyes, yet see not,...preparing, among other poems, THE DARK LADIE and the CHRISTABEL, in which I should have more nearly have realised my ideal, than I had done in my first... | |
 | William Henry Hudson - 1901 - 40 頁
...the inexhaustible treasures of the world," says Coleridge, "in consequence of the film of familiarity and selfish solicitude, we have eyes, yet see not,...not, and hearts that neither feel nor understand." It is the special function and privilege of poetry to remove the film, to open our eyes and ears, to... | |
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... things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us; an inexhaustible treasure, but for... 
