 | Samuel Taylor Coleridge - 1902 - 162 頁
...to the truth of nature, and the power of giving the interest of novelty by the modifying colours of imagination. The sudden charm, which accidents of...poems might be composed of two sorts. In the one, the incidents and agents were to be, in part at least, supernatural ; and the excellence aimed at was to... | |
 | Charles Mills Gayley, Clement Calhoun Young - 1904 - 726 頁
...to the truth of nature, and the power of giving the interest of novelty by the modifying colors of imagination. The sudden charm which accidents of light...poems might be composed of two sorts. In the one, the incidents and agents were to be in part, at least, supernatural; and the excellence aimed at was to... | |
 | Charles Mills Gayley, Clement Calhoun Young - 1904 - 772 頁
...to the truth of nature, and the power of giving the interest of novelty by the modifying colors of imagination. The sudden charm which accidents of light...poems might be composed of two sorts. In the one, the incidents and agents were to be in part, at least, supernatural; and the excellence aimed at was to... | |
 | Charles Mills Gayley, Clement Calhoun Young - 1904 - 722 頁
...to the truth of nature, and the power of giving the interest of novelty by the modifying colors of imagination. The sudden charm which accidents of light and shade, which moonlight or sun. set diffused over a known and familiar landscape, appeared to represent the practicability of... | |
 | Alan W. Bellringer, C. B. Jones - 1980 - 176 頁
...novelty by l4. Venice Preserv'd, V, J, 369. Otway has laurels' for 'lobsters'. the modifying colours of imagination. The sudden charm, which accidents of...thought suggested itself (to which of us I do not recollect1 that a series of poems might be composed of two sorts. In the one, the incidents and agents... | |
 | 1994 - 110 頁
...formulaic and reductive account of an extremely contradictory and highly collaborative relationship: The sudden charm, which accidents of light and shade,...to represent the practicability of combining both [truth of nature and colours of imagination]. The thought suggested itself (to which of us I do not... | |
 | Samuel Taylor Coleridge - 1984 - 860 頁
...nature, and the power of giving the interest of novelty by the modifying colours of imagination. 3 The sudden charm, which accidents of light and shade,...appeared to represent the practicability of combining both.4 These are the poetry of nature. The ' C provides no formal "scholia", only a few examples (eg... | |
 | Eugene M. Waith - 1988 - 324 頁
..."adherence to the truth of nature" and the "modifying colors of imagination" which Coleridge was to see in the "sudden charm which accidents of light and shade,...sun-set diffused over a known and familiar landscape." 16 Urged to delight the spectators with "Phantomes," Night now sings a song (following Delight's recitative),... | |
 | Darrel Abel - 1988 - 348 頁
...proposed to himself as plausible for presenting the visions of a romantic imagination: to make use of "the sudden charm, which accidents of light and shade,...moonlight or sun-set diffused over a known and familiar landscape."10 Hawthorne had used the "moonlight of romance" (CE 10:337) as an agency of imaginative... | |
 | Karl Kroeber, Gene W. Ruoff - 1993 - 520 頁
...— mutually possessed minds, if we care to edge his description toward the concerns of Christabel: "The thought suggested itself (to which of us I do...a series of poems might be composed of two sorts." Describing his and Wordsworth's respective tasks, Coleridge implies that the difference between the... | |
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I were neighbours, our conversations turned frequently on the two cardinal points of poetry, the power of exciting the sympathy of the reader by a faithful adherence to the truth of nature, and the power of giving the interest of novelty by the modifying... 
