 | Paul Shepheard - 2003 - 318 頁
...saws and modern instances: and so he plays his part. The sixth age shifts into the lean and siipper'd pantaloon, with spectacles on nose and pouch on side,...again toward childish treble, pipes and whistles in the sound. Last scene of all, that ends this strange eventful history, is second childishness and mere... | |
 | Gayle Clayton - 2004 - 244 頁
...saws and modern instances; And so he plays his part. The sixth age shifts into the lean and slippered pantaloon, With spectacles on nose and pouch on side,...whistles in his sound. Last scene of all, That ends this strange, eventful history, Is second childishness and mere oblivion, Sans teeth, sans eye, sans taste,... | |
 | Randy Lee Eickhoff - 2004 - 438 頁
...saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side,...whistles in his sound. Last scene of all. That ends this strange eventful history, Is second childishness, and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Diana Kuh, Yoav Ben Shlomo - 2004 - 500 頁
...saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon With spectacles on nose and pouch on side;...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | William H. Thomas - 2004 - 398 頁
...lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose well sav'da world too wide For his shrunk shank; and his big manly...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion Sans teeth, sans eyes, sans taste,... | |
 | William Shakespeare - 2005 - 900 頁
...His youthful hose, well saved, a world too wide For his shrunk shank, and his big manly voice, 160 Turning again toward childish treble, pipes And whistles...Sans teeth, sans eyes, sans taste, sans every thing. ORLANDO returns with ADAM in his arms DUKE Welcome. Set down your venerable burden, And let him feed.... | |
 | James Zager, William Shakespeare - 2005 - 70 頁
...and slipper'd pantaloon, With spectacles on nose, and pouch on side, His youthful hose, well sav'd, a world too wide For his shrunk shank, and his big...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness, and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Lorraine LaCroix - 2005 - 161 頁
...lean and slipper'd pantaloon. With spectacles on nose and pouch on side. His youthful hose well sav'da world too wide For his shrunk shank: and his big manly...whistles in his sound. Last scene of all. That ends this strange eventful history. is second childishness and mere oblivion. Sans teeth. sans eyes. sans taste.... | |
 | William Roetzheim - 2006 - 760 頁
...saws and modern instances; and so he plays his part. The sixth age shifts into the lean and slippered pantaloon, with spectacles on nose and pouch on side,...whistles in his sound. Last scene of all, that ends this strange eventful history, is second childishness and mere oblivion, sans teeth, sans eyes, sans taste,... | |
 | Travis Adkins - 2006 - 286 頁
...SQU/S and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side....whistles in his sound. Last scene of all. That ends this strange eventful history. Is second childishness, and mere oblivion. Sans teeth, sans eyes, sans taste,... | |
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Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good... 
