 All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, ' And mountains ; and of all that we behold From this green earth; of all the mighty world Of eye and ear, both what...  The Nineteenth Century - 第 286 頁1881完整檢視 - 關於此書
 | Charles Kingsley - 1868 - 378 頁
...sky, and in the mind of man: A motion and a spirit that impels All thinking things, all objects of all thought, And rolls through all things. Therefore...ear, both what they half create And what perceive ; well-pleased to recognise In nature and the language of the sense The anchor of my purest thoughts,... | |
 | Richard Chenevix Trench (abp. of Dublin) - 1868 - 458 頁
...sky, and in the mind of man: A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, 105 And mountains ; and of all that we behold From this green earth ; of all the mighty world Of eye... | |
 | Thomas Budd Shaw, William Smith - 1869 - 420 頁
...sky, and in the mind of man; A motion and a spirit that impels All thinking things, all objects of all thought, And rolls through all things. Therefore...they half create And what perceive; well pleased to recognize In nature, and the language of the sense, The anchor of my purest thoughts, the nurse, The... | |
 | Stephen Adams - 2001 - 326 頁
...Romantic artists intuited long ago the subjectivity that modern science confirms. Wordsworth writes of all that we behold From this green earth; of all...— both what they half create, And what perceive. . . . ("Lines Composed a Few Miles above Tintern Abbey," 11. 104-7) And Melville insists, "Say what... | |
 | Frank Mehring - 2001 - 194 頁
...sky, and in the inind of man, A motion and a spirit, that impels All thinking things, all objects of all thought, And rolls through all things. Therefore am I still A lover of the meadows and the woods, 132 Wie Coleridge in seinem Gedicht „The Eolian Harp" ausführt, nimmt der Erkenntnisprozeß gerade... | |
 | Paul C. Adams, Steven D. Hoelscher, Karen E. Till - 2001 - 500 頁
...require that we consider our own role in the creation of landscape: the implications of Wordsworth's "mighty world / Of eye and ear — both what they half create / And what perceive." 4 As medievalists presently contemplating the places of the past, we are presently implicated in our... | |
 | Paul C. Adams, Steven D. Hoelscher, Karen E. Till - 2001 - 504 頁
...require that we consider our own role in the creation of landscape: the implications of Wordsworth's "mighty world / Of eye and ear — both what they half create / And what perceive."4 As medievalists presently contemplating the places of the past, we are presently implicated... | |
 | Suzy Anger - 2001 - 310 頁
...for the epistemological process itself, in its particular post-romantic situation entangled within "the mighty world / Of eye and ear, — both what they half create, / 9 The banality of one (re)current critical discovery that the object of knowledge is itself always... | |
 | Thomas M. Greene - 2002 - 92 頁
...Abrams' famous book, The Mirror and the Lamp. When Wordsworth writes in "Tintern Abbey" about his love "of all that we behold / From this green earth; of all the mighty world / Of eye, and ear,—both what they half create, / And what perceive." 11 the reader understands that the half-perception... | |
 | William Wordsworth, Samuel Taylor Coleridge - 2003 - 356 頁
...impels All thinking things, all objects of all thought, And rolls through all things. Therefore am 1 still A lover of the meadows and the woods, And mountains;...all the mighty world Of eye and ear, both what they half-create,* And what perceive; well pleased to recognise In nature and the language of the sense,... | |
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