 | William Lee Richardson - 1928 - 116 页
...Henry Esmond "A woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision,...was no single movement of hers but was beautiful. ... So she came holding her dress with one fair rounded arm, and her taper before her, tripping down... | |
 | William Makepeace Thackeray - 1928 - 436 页
...but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision,...lofty as a queen — now melting, now imperious, now sarcastick, there was no single movement of hers but was beautiful. As he thinks of her, he who writes... | |
 | 1899 - 674 页
...but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision,...writes feels young again and remembers a paragon. Thackeray as an artist, we need scarcely say, was from some points of view not successful, especially... | |
 | 1904 - 778 页
...but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision,...writes feels young again, and remembers a paragon." In no passage of his wonderful ' Vanity Fair ' does Thackeray imply that Becky Sharp was a beauty.... | |
 | 1853 - 432 页
...but not for a woman whose eyes were fire, whose look was love, whose voice was the sweetest low song, whose shape was perfect symmetry, health, decision,...lofty as a queen — now melting, now imperious, now sareastic ; there was no single movement of hers but was beautiful. As he thinks of her, he who writes... | |
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... except her cheeks, which were a bright red, and her lips, which were of a still deeper crimson. Her mouth and chin, they said, were too large and full ; and so they might be for a goddess in marble, but not for a woman whose eyes were fire, whose... 
