 | Trevor Thornton Ross - 1998 - 412 頁
...Rigid Criticks" (Spectator 592). In Dryden's celebrated version, Shakespeare "needed not the spectacle of books to read nature; he looked inwards, and found her there" (1:67). The rules were perhaps the last significant expression of a rhetorical will to harmonize the... | |
 | Margreta de Grazia, Stanley Wells - 2001 - 352 頁
...the images of Nature were still present to him, and he drew them, not laboriously, but luckily . . . Those who accuse him to have wanted learning, give...read Nature; he looked inwards, and found her there. Thus Dryden continued and elaborated the commonplace of Shakespeare as child of nature, and in his... | |
 | James Bednarz - 2001 - 358 頁
...or even because of his imputed flaws. "Those who accuse him to have wanted learning," Dryden says, "give him the greater commendation. He was naturally...read nature. He looked inwards and found her there." 60 One of the most vehement defenses of Shakespeare by a contemporary is Leonard Digges's opening elegy... | |
 | Paul Hammond - 2002 - 484 頁
...them not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning* give...looked inwards, and found her there. I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He... | |
 | Allardyce Nicoll - 2002 - 188 頁
...tongues, the fact remains that what he read he read for the most part in English. Dryden said that "he needed not the spectacles of books to read Nature; he looked inwards and found her there". We shall do well to remember the context in which these words are placed. Dryden, himself a scholar-poet,... | |
 | John Dryden - 2003 - 1024 頁
...them not laboriously, but luckily. When he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give...inwards, and found her there. 'I cannot say he is everywhere alike. Were he so, I should do him injury to compare him with the greatest of mankind. He... | |
 | Catherine M. S. Alexander - 2003 - 504 頁
...tongues, the fact remains that what he read he read for the most part in English. Dryden said that "he needed not the spectacles of books to read Nature; he looked inwards and found her there". We shall do well to remember the context in which these words are placed. Dryden, himself a scholar-poet,... | |
 | Northrop Frye - 2006 - 561 頁
...them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning, give...looked inwards, and found her there. I cannot say he is everywhere alike; were he so, I should do him injury to compare him with the greatest of mankind. He... | |
 | Elizabeth Kantor - 2006 - 278 頁
...the dressing of his lines" (First Folio). Dryden says in his Essay of Dramatic Poesy that Shakespeare "needed not the spectacles of books to read nature. He looked inwards, and found her there." According to Alexander Pope's preface to his Shakespeare edition, "Homer himself drew not his art so... | |
 | Daniel James Ennis, Judith Bailey Slagle - 2007 - 272 頁
...create great Art, Shakespeare just got lucky. Dryden then pays Shakespeare a backhanded compliment: "Those who accuse him to have wanted learning, give him the greater commendation" because "he was naturally learn'd." Ending his critique with less subtle criticism, Dryden confesses... | |
| |
All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too. Those who accuse him to have wanted learning give him the greater commendation: he was... 
