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" ... with him: Yet nor the lays of birds, nor the sweet smell Of different flowers in odour and in hue, Could make me any summer's story tell, Or from their proud lap pluck them where they grew : Nor did I wonder at the lily's white, Nor praise the deep... "
Biographia Literaria: Or, Biographical Sketches of My Literary Life and Opinions - 第 20 頁
Samuel Taylor Coleridge 著 - 1817 - 309 頁
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Shakespeare's Sonnets

William Shakespeare - 1995 - 182 頁
...grew; Nor did I wonder at the lily's white, 10 Nor praise the deep vermilion in the rose, They were but sweet, but figures of delight Drawn after you, you pattern of all those; Yet seemed it winter still, and, you away, As with your shadow I with these did play. 98 Sonnet 99 breaks...
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Aufsätze zur englischen Versdichtung: von Chaucer bis Dylan Thomas

Ewald Standop - 1995 - 155 頁
...Einsamkeit sei, die ihn am Genuß der Farben hindert; doch der Sprecher fährt fort: "They were but sweet, but figures of delight, / Drawn after you, you pattern of all those" (98.1 1 f.). Damit ist die Argumentation in die Gedankenwelt von Sonett 53 eingeschwenkt, was durch...
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Shakespeare's Theory of Drama

Pauline Kiernan - 1998 - 218 頁
...forms and their substances. As 98 insists: the lily's white and the deep vermilion in the rose 'were but figures of delight, / Drawn after you, you pattern of all those' (9- 1 2). But look how Shakespeare exploits this sonneteering convention to introduce the idea that...
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H.D. and Sapphic Modernism 1910-1950

Diana Collecott - 1999 - 350 頁
.... . . Nor did I wonder at the lily's white Nor praise the deep vermilion in the rose, They were but sweet, but figures of delight, Drawn after you, you pattern of all those. (Avon 35-6)"t Maintaining that Meleager was the first 'master-mistress' of a 'sonnetsequence' ('Garland'...
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Shakespeare's Reading

Robert S. Miola - 2000 - 186 頁
...grew; Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose. They were but sweet, but figures of delight Drawn after you, you pattern of all those; Yet seemed it winter still, and, you away, As with your shadow I with these did play. The sonnet preserves...
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The Discovery of Poetry: A Field Guide to Reading and Writing Poems

Frances Mayes - 2001 - 494 頁
...grew: Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight, Drawn after you, you...you away, As with your shadow I with these did play. The Petrarchan sonnet form, named after the fourteenth-century Italian poet Petrarch, is in two parts:...
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Writing Prejudices: The Psychoanalysis and Pedagogy of Discrimination from ...

Robert Samuels - 2001 - 196 頁
...man: Nor did I wonder at the lily's white, Nor praise the deep vermillion in the rose. They were but sweet, but figures of delight Drawn after you, you pattern of all those. In a reversal of the traditional metaphorical structure where nature is copied by the human artist,...
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The Arden Shakespeare Complete Works

William Shakespeare - 1998 - 1344 頁
...grew; Nor did I wonder at the lily's white. Nor praise the deep vermilion in the rose; They were but sweet, but figures of delight, Drawn after you, you pattern of all those. Yet seemed it winter still, and, you away, As with your shadow I with these did play. 99 The forward violet...
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The Wisdom of Shakespeare

William Shakespeare - 2002 - 228 頁
...grew: Nor did I wonder at the lily's white, Nor praise the deep vermilion in the rose, They were but sweet, but figures of delight: Drawn after you, you pattern of all those. Yet seemed it winter still, and you away As with your shadow I with these did play. Sonnet 98 How many...
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The Mutual Flame: On Shakespeare's Sonnets and The Phoenix and the Turtle

G. Wilson Knight - 2002 - 233 頁
...though his 'constant heart* remains all his own (53). Again, the sweetest fruits of spring are all but figures of delight Drawn after you, you pattern of all those. (98) It is not merely now a question of similarity; of, say, the Fair Youth in relation to Adonis,...
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