 With spectacles on nose, and pouch on side'; His youthful hose well sav'd, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles in his sound : Last scene of all, That ends this strange...  The Works of William Shakespeare: In Nine Volumes - 第 34 頁William Shakespeare 著 - 1810完整檢視 - 關於此書
 | G. Hamilton - 1837 - 404 頁
...Ce tableau a été gravé par Leney pour l'alderman Boy dell . THE SIXTH AGE. THE siilh age shifts Into the lean and slipper'd pantaloon ; With spectacles...childish treble , pipes , And whistles in his sound. . THE dominion of avarice and the approaching dolage incidental to this stage of mortality, hinted... | |
 | William Shakespeare - 1838 - 1130 頁
...formal cut, Full of wise saws and modern instances, And so he plays his part : The sixth age shifts , Out-rode me. After him, came, spurring hard, A gentleman...rowel-head ; and starting so, He seem'd in running to thing. i !•'-,>< i. r ORLANDO, niili ADAM. Duke S. Welcome : Set down your venerable burAnd let him... | |
 | William Shakespeare - 1838 - 484 頁
...and slipper'd pantaloon ; With spectacles on nose, and pouch on side ; His youthful hose well saved, a world too wide For his shrunk shank ; and his big...oblivion ; Sans teeth, sans eyes, sans taste, sans every thing. 10— ii. 7. 107 The cloud-capp'd towers, the gorgeous palaces, The solemn temples, the great... | |
 | William Shakespeare - 1839 - 550 頁
...formal cut, Full of wise saws and modern instances ; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon; With spectacles...oblivion; Sans teeth, sans eyes, sans taste, sans every thing. As you like it, act 2, sc. 7. His images are indeed every where so lively, that the thing he... | |
 | Sue Jennings - 1999 - 200 頁
...and slippered pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank, and his big...whistles in his sound; last Scene of all, That ends this strange eventful history, In second childishness, and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Laurie Rozakis - 1999 - 406 頁
...and slipper'd pantaloon, With spectacles on nose and pouch on side; His youthful hose, well saved, a world too wide For his shrunk shank; and his big...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | Fred Sedgwick - 1999 - 168 頁
...lin'd, With eyes severe and beard of formal cut... The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side,...shrunk shank; and his big manly voice, Turning again towards childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange... | |
 | Karl Erik Rosengren - 2000 - 244 頁
...formal cut, Full of wise saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles...whistles in his sound. Last scene of all That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
 | David L. Sills, Robert King Merton - 2000 - 466 頁
...and slipper'd pantaloon. With spectacles on nose and pouch on side. His youthful hose, well saved, a world too wide For his shrunk shank; and his big...oblivion. Sans teeth, sans eyes, sans taste, sans every thing. As You Like /t:Act 2, scene 7, 677. 2 \Hamlet]: Madam, how like you this play? \Queen\\ The... | |
 | William Shakespeare - 2000 - 60 頁
...lean and slippered pantaloon, With spectacles on nose and pouch on side, His youthful hose well saved, a world too wide For his shrunk shank; and his big...whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness and mere oblivion, Sans teeth, sans eyes, sans taste,... | |
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