In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored... The Homes of the New World: Impressions of America - 第 151 頁Fredrika Bremer 著 - 1858完整檢視 - 關於此書
| 1911 - 180 頁
...conciseness will be, practically, promoted by the addition. WHATELT ORIGINALITY IS SINCERITY As Emerson says: "Great works of art have no more affecting lesson for us than this. ^hey_teach_iis Jo abide by^^ur spontaneous impressions with_good^mmpred ._jnflexibiljJ3z, is. __^___... | |
| Rollo Walter Brown, Nathaniel Waring Barnes - 1913 - 396 頁
...thought, because it is his. In every work of genius we recognize our own rejected thoughts ; they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility familiarize himself with the ideas about his... | |
| Frederick William Roe, George Roy Elliott - 1913 - 512 頁
...our own rejected thoughts; they come back to us with a certain alienated majesty. Great works of 20 art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with goodhumored inflexibility then most when the whole cry of voices 1 From... | |
| Maurice Garland Fulton - 1914 - 556 頁
...thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on... | |
| Ralph Waldo Emerson - 1915 - 200 頁
...thought, because it is his. In every work of genius we 5 recognize our own rejected thoughts ; they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole 10 cry of voices is... | |
| Mary Edwards Calhoun, Emma Leonora MacAlarney - 1915 - 670 頁
...thought, because it is his. In every work of genius we recognize our own rejected thoughts : they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility then most when the whole cry of voices is on... | |
| John Walter Ross - 1915 - 288 頁
...thought, because it is his in every work of genius we recognize our own rejected thoughts ; they come back to us with a certain alienated majesty great works of art have no more affecting lesson than this — Emerson 10. Why should there not be a patient confidence in the ultimate justice of the... | |
| Matthew Hale Wilson - 1916 - 354 頁
...thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated majesty. Great...lesson for us than this. They teach us to abide by our spontaneous impression with good humored inflexibility then most when the whole cry of voices is on... | |
| George Van Ness Dearborn - 1916 - 250 頁
...thought, because it is his. In every work of genius we recognize our own rejected thoughts; they come back to us with a certain alienated Majesty. Great...lesson for us than this. They teach us to abide by OUT spontaneous impression with goodhumored inflexibility then most when the whole cry of voices is... | |
| Leland Todd Powers - 1916 - 172 頁
...genius we recognize our own rejected thoughts: they come back to us with a certain alienated majesty. 3. Great works of art have no more affecting lesson for us than this. They teach us to abide by our spontaneous impression with good-humored inflexibility, then most when the whole cry of voices is on... | |
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