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" And when the Sun begins to fling His flaring beams, me, Goddess, bring To arched walks of twilight groves, And shadows brown that Sylvan loves Of Pine, or monumental Oak, Where the rude Axe with heaved stroke, Was never heard the Nymphs to daunt, Or fright... "
Cowley. Denham. Milton. Butler. Rochester. Roscommon. Otway. Waller. Pomfret ... - 第 130 頁
由 編輯 - 1800
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Blackwood's Edinburgh Magazine, 第 34 卷

1833 - 1056 頁
...shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe, with heaved stroke. Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look, Hide me from day's garish eye, While the...
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Blackwood's Magazine, 第 34 卷

1833 - 1032 頁
...shadows brown, tint Sylvan loves, Of pine, or monumental oak, Where the rude axe, with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look, Hide me from day's garish eye, While the...
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Leigh Hunt's London Journal, 第 1-2 卷

Leigh Hunt - 1834 - 680 頁
...shadows brown, that Sylvan loves, I Of pine or monumental oak, Where the rude axe with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look. Hide me from day's garish eye, White the...
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A Descriptive, Explanatory, and Critical, Catalogue of Fifty of the Earliest ...

John Landseer - 1834 - 534 頁
...walks of twilight groves, And shadows brown, that Sylvan loves, Where the rude axe with heaved stroke Was never heard, the nymphs to daunt, Or fright them from their hallow'd haunt." Such are Poussin's Arcadian forest scenes of the primitive ages. We almost incontinently quote Milton,...
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The Book of Gems: Chaucer to Prior

Samuel Carter Hall - 1836 - 390 頁
...And shadows brown that Sylvan loves Of pine, or monumental oake, Where the rude ax with heaved stroke Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look, Hide me from Day's garish eye, While the...
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The Book of Gems: Chaucer to Prior

Samuel Carter Hall - 1836 - 336 頁
...And shadows brown that Sylvan loves Of pine, or monumental oake, Where the rude ax with heaved stroke Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look, Hide me from Day's garish eye, While the...
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Beauties of the Country: Or, Descriptions of Rural Customs, Objects, Scenery ...

Thomas Miller - 1837 - 466 頁
...shadows brown, that Sylvan loves, Of pine, or monumental oak, Where the rude axe, with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look. Hide me from day's garish eye, While the...
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Bentley's Miscellany, 第 45 卷

Charles Dickens, William Harrison Ainsworth, Albert Smith - 1859 - 672 頁
...And shadows brown that Sylvan loves, Of pine or monumental oak, Where the rude axe with heaved stroke Was never heard the nymphs to daunt, Or fright them from their hallowed haunt. They are not village folks. They are well off, and without encumbrance, and of noble...
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The spirit of the woods, by the author of 'The moral of flowers'.

Rebecca Hey - 1837 - 386 頁
...shadows brown, that sylvan loves. Of pine, or monumental oak. Where the ntde axe, with heaved stroke, Was never heard the nymphs to daunt, Or fright them from their hallowed haunt." A source of great additional interest has been the preparation of the drawings for...
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The Poetical Works of John Milton: With Notes and a Life of the Author, 第 2 卷

John Milton - 1838 - 496 頁
...shadows brown that Sylvan loves Of pine, or monumental oak, 135 Where the rude axe with heaved stroke Was never heard the Nymphs to daunt, Or fright them from their hallow'd haunt. There in close covert by some brook, Where no profaner eye may look, 140 Hide me from day's garish eye, While...
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