 | George Dekker - 2005 - 342 頁
...draws heavily on Wordsworth, slightly misquoting "Tintern Abbey": The sounding cataract Haunted him like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to him An appetite; a feeling, and a love, That had no need of a... | |
 | Mary Wollstonecraft Shelley - 2004 - 294 頁
...nature, which others regard only with admiration, he loved with ardour: The sounding cataract Haunted him like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to him An appetite; a feeling, and a love, That had no need of a... | |
 | William Dell - 2005 - 112 頁
...imagination works through these three ages of man. As a child, nature then... To me was all in all. ...the tall rock, The mountain and the deep and gloomy...colors and their forms, were then to me An appetite... In the process of growing up, the poet, however, learns to think for himself and realizes, upon reflection,... | |
 | Jabrā Ibrāhīm Jabrā - 2005 - 206 頁
...o'er the mountains, by the sides Of the deep rivers, and the lonely streams, Wherever nature led. . The sounding cataract Haunted me like a passion; the tall rock, The mountain, and the deep and gloomy Their colors and their forms were then to me An appetite; a feeling and a love, That had no... | |
 | Uttara Natarajan, Tom Paulin, Duncan Wu - 2005 - 216 頁
...as the motives Wordsworth spoke of when describing a young man's love of freedom in 'Tintern Abbey': 'An appetite; a feeling and a love, / That had no need of a remoter charm'. This intuition, so close to the force of sensation, is an undercurrent of Hazlitt's argument which... | |
 | Daryl Ogden - 2006 - 288 頁
...Frankenstein calls upon "Tintern Abbey" to capture his friend's character: The sounding cataract Haunted him like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to him An appetite: a feeling, and a love, That had no need of a... | |
 | Mark Turner - 2006 - 336 頁
...conscious purpose or perceived utility. "For nature then," he writes, To me was all in all. — I cannot paint What then I was. The sounding cataract Haunted...The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter... | |
 | Diane Ravitch, Michael Ravitch - 2006 - 512 頁
...of my boyish days, And their glad animal movements all gone by) To me was all in all. — I cannot paint What then I was. The sounding cataract Haunted...The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter... | |
 | Mark R. Schwen, Dorothy C. Bass - 2006 - 580 頁
...days, And their glad animal movements all gone by) To me was all in all. — I cannot paint What then 1 •was. The sounding cataract Haunted me like a passion:...The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, 80 That had no need of... | |
 | Florence Gaillet-de Chezelles - 2007 - 436 頁
...pour lui le temps des « ravissements vertigineux » (v. 85) et des « joies douloureuses » (v. 84) : The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep andgloomy wood, Their colours and theirforms, were then to me An appetite; afeeling and a love, That... | |
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The sounding cataract Haunted me like a passion: the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor... 
