American Elegy: The Poetry of Mourning from the Puritans to WhitmanU of Minnesota Press - 352 頁 The most widely practiced and read form of verse in America, “elegies are poems about being left behind,” writes Max Cavitch. American Elegy is the history of a diverse people’s poetic experience of mourning and of mortality’s profound challenge to creative living. By telling this history in political, psychological, and aesthetic terms, American Elegy powerfully reconnects the study of early American poetry to the broadest currents of literary and cultural criticism. Cavitch begins by considering eighteenth-century elegists such as Franklin, Bradstreet, Mather, Wheatley, Freneau, and Annis Stockton, highlighting their defiance of boundaries—between public and private, male and female, rational and sentimental—and demonstrating how closely intertwined the work of mourning and the work of nationalism were in the revolutionary era. He then turns to elegy’s adaptations during the market-driven Jacksonian age, including more obliquely elegiac poems like those of William Cullen Bryant and the popular child elegies of Emerson, Lydia Sigourney, and others. Devoting unprecedented attention to the early African-American elegy, Cavitch discusses poems written by free blacks and slaves, as well as white abolitionists, seeing in them the development of an African-American genealogical imagination. In addition to a major new reading of Whitman’s great elegy for Lincoln, “When Lilacs Last in the Dooryard Bloom’d,” Cavitch takes up less familiar passages from Whitman as well as Melville’s and Lazarus’s poems following Lincoln’s death. American Elegy offers critical and often poignant insights into the place of mourning in American culture. Cavitch examines literary responses to historical events—such as the American Revolution, Native American removal, African-American slavery, and the Civil War—and illuminates the states of loss, hope, desire, and love in American studies today. Max Cavitch is assistant professor of English at the University of Pennsylvania. |
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第 6 到 10 筆結果,共 89 筆
第 21 頁
... poetic vigil over the corpse of a nameless young soldier , knew better : “ I think we shall surely meet again , ” he writes in an elegy that has little to do with pious visions of posthumous personal reunion.40 He means they will meet ...
... poetic vigil over the corpse of a nameless young soldier , knew better : “ I think we shall surely meet again , ” he writes in an elegy that has little to do with pious visions of posthumous personal reunion.40 He means they will meet ...
第 27 頁
... poets than with the way it treats its political subject as a condensation of the fundamental prob- lem of personhood . Indeed , the characteristics by which Sacks would seek to recognize an American countertradition in elegy could not ...
... poets than with the way it treats its political subject as a condensation of the fundamental prob- lem of personhood . Indeed , the characteristics by which Sacks would seek to recognize an American countertradition in elegy could not ...
第 29 頁
... poetic genre , does not . That is , elegy represents an alternate form of vigilance , not only in the formally exaggerated vigilance of the metrical line ( poetry actively displays its competence to measure62 ) , but also by virtue of ...
... poetic genre , does not . That is , elegy represents an alternate form of vigilance , not only in the formally exaggerated vigilance of the metrical line ( poetry actively displays its competence to measure62 ) , but also by virtue of ...
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內容
1 | |
1 Legacy and Revision in EighteenthCentury AngloAmerican Elegy | 33 |
2 Elegy and the Subject of National Mourning | 80 |
Custodianship and Opposition in Antebellum Elegy | 108 |
Waldo Emerson and the Price of Generation | 143 |
African Americans and Elegy from Wheatley to Lincoln | 180 |
Whitman and the Future of Elegy | 233 |
Objects | 286 |
Notes | 295 |
Index | 335 |
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常見字詞
African ambivalence American elegy American Poetry antebellum Boston broadside Brown Bryant calls Cambridge century child contemporary continuity conventional Cotton Mather cultural dead death dream early eighteenth-century elegiac elegists elegy's Essays example experience expression father feeling figure Franklin Freneau funeral genre genre's George George Moses Horton grief helped Ibid idealization imagination Indian James John lament Leaves of Grass letter Library of America Lilacs Lincoln lines literary literature living loss memory Monimba mourners mourning nature pastoral Philip Freneau Phillis Wheatley poem poem's poet poet's poetic political Prose Puritan Ralph Waldo Emerson readers reading relation satire scene seems sense sentimental Sigourney slave slavery social song sorrow soul spiritual Stockton sublime suggests suicide Thanatopsis thee Thomas thou Threnody tion tradition Traubel University Press verse voice Waldo Emerson Walt Whitman Washington Wheatley's Whitefield William William Cullen Bryant writes wrote York